Ground Floor Theatre's Dex & Abby

In this premiere production of Allan Baker's play, the bond of love between canines and humans is tenderly expressed

(l-r) Jason Graf, Jacob Bernelle, Will Douglas, and Cassidy Timms in Dex & Abby (Photo by Dave Hawks)

Serious question: How could a pet owner read a tagline like "What if you and your dog could talk?" and not be immediately enthralled? I'd like to think it was my love of unique storytelling that drove me to attend Dex & Abby, but if I'm being honest, it was because I'm a dog person. By celebrating the bonds we cherish with our four-legged companions, playwright Allan Baker's latest work aims to pull the heartstrings of animal lovers.

Despite its far-out premise, Ground Floor Theatre's world premiere, directed by Robert Tolaro, grounds itself in reality. The story of the titular canines is as much the story of their owners, Sean and Corey – a couple taking their relationship to the next level by moving in together. The uncertainties these young partners face is reflected by the rivalry of their pets, who compete for both affection and attention.

As the title implies, the backbone of the show is the portrayals of Dex and Abby by Jason Graf and Cassidy Timms, respectively. Most impressive is these performers' primal physicality. Graf and Timms carry themselves with excitable, purposeful energy that's no doubt the end result of studying canine mannerisms. Whether they're getting riled up for walks or snuggling up to their humans, it's difficult to see these actors as anything but lovable house pets. The sincerity these two bring to their roles creates believable bonds between dogs and humans.

Fueled by these genuine character connections, Baker's script focuses on the seemingly mundane moments that make up life: dinners with friends, evenings on the couch, late-night heart-to-hearts, etc. While Baker succeeds in creating a realistic slice-of-life piece, it often comes at the expense of narrative momentum. Certain scenes (predominantly in Act I) feel weighed down by meandering dialogue and lack of focus. That's not to say there aren't moments of well-executed character development, but for every scene that advances the plot, another feels like it's simply killing time in these characters' living room.

Despite these unfocused scenes, hidden away in Dex & Abby's two-hour run time are all the elements of an engaging narrative. While I'm left with the impression that this show could be whittled down to an hour without losing any emotional weight, I was nonetheless moved by its displays of tenderness. Scenes where owners talk directly to their dogs, for example, reveal just how nuanced man's relationship with beast can be. Here we learn that Sean's family shunning him for his sexual orientation is mirrored by Abby's abandonment as a pup. Meanwhile, as Corey (Jacob Bernelle) begins to open his heart to Sean (Will Douglas), he draws strength and comfort from Dex's undying loyalty.

Ultimately, Dex & Abby accomplishes what it sets out to do: give voice to the unspoken connection we feel with our furry friends. As a dog owner, I was moved by the heartbreaking conclusion. (I challenge any pup-parent lover not to cry at a tragic narrative involving a dog.) Afterward, I hugged my Jack Russell mix tighter than usual, though I couldn't help but reflect on the show's tagline. Based off what I saw, not much would change if our canine friends could talk. With unconditional love, dogs prove every day that they're man's best friend. Given the chance, it seems they'd only reaffirm this fact.

Dec & Abby

Ground Floor Theatre, 979 Springdale
Through June 1
Running time: 2 hr.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Ground Floor Theatre
Ground Floor Theatre's <i>black do crack</i>
Ground Floor Theatre's black do crack
In this new solo show, writer-performer Florinda Bryant shatters the myth that black women must go it alone

Robert Faires, March 1, 2019

Ground Floor Theatre's <i>Fun Home</i>
Ground Floor Theatre's Fun Home
Lisa Scheps' production is invested with a level of care that makes this musical memoir movingly familiar

Trey Gutierrez, Dec. 14, 2018

More Arts Reviews
Penfold Theatre's <i>Henry V</i>
Penfold Theatre's Henry V
This production in the park makes Shakespeare's epic history into a satisfying show for a summer evening

Elizabeth Cobbe, June 14, 2019

ColdTowne Theater’s <i>Bigfoot, The Musical</i>
ColdTowne Theater’s Bigfoot, The Musical
ColdTowne brings the rarely seen creature into the spotlight for a show that’s rarely without laughs

Trey Gutierrez, June 14, 2019

More by Trey Gutierrez
Zach Theatre's <i>The Ballad of Klook and Vinette</i>
Zach Theatre's The Ballad of Klook and Vinette
In tracking one couple's affair, this production shows us how love is an imperfect art

May 17, 2019

ScriptWorks' Out of Ink 2019: Artificially Intelligent
ScriptWorks' Out of Ink 2019: Artificially Intelligent
The 10-minute plays in this year's edition of the annual showcase venture outside the comfort zone

May 3, 2019


Ground Floor Theatre, Allan Baker, Robert Tolaro, Jason Graf, Cassidy Timms, Jacob Bernelle, Will Douglas

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle