Zach Theatre's The Ballad of Klook and Vinette

In tracking one couple's affair, this production shows us how love is an imperfect art


Roderick Sanford (l) and Chanel in Zach Theatre's The Ballad of Klook and Vinette (Photo by Kirk Tuck)

Our scene opens on an organic juice bar. (Austinites know the type.) Enter Vinette, a young woman with a stride so confident, it cues a smooth bassline. Taking notice is Klook, a handsome if tired-looking man in his 50s. Bearing two beverages, he moves to sit beside her. "How do you know I like carrot juice?" she snaps. The electricity between their locking eyes lights up Zach Theatre's Kleberg Stage. "Because I know your every need before you do," he fires back in his heavy baritone. It's this encounter that ignites a romance both passionate and tragic in playwright Ché Walker's new musical, The Ballad of Klook and Vinette.

Equal parts freeform poetry piece and soulful duet, this Ballad portrays a relationship as it is remembered: fantastic and intoxicating. Whether playing out scenes set in the past or directly addressing the audience in the present, the titular couple tells their story together. Unlike similar personal narratives utilizing this frame (which suffer from narrator's bias), these two hold themselves accountable, correcting each other's memory several times throughout the piece. As a result, the show comes across as the experiences of real individuals more than it does a fabricated tale.

Against the backdrop of scenic designer Scott Groh's minimalist set, the production staged by Artistic Director Dave Steakley feels extravagant. Reflecting the excesses of infatuation, Walker's prose paints a colorful world of tenderness. Take, for example, the moment when the partners describe their intimacy mid-coitus. Their words spark the imagination while simultaneously leaving nothing to it ("violently in love and tripping out on the oneness ... like we were long lost twins crawling back into the womb of our own desire"). Fleshing out Walker's book is original music by British soul singers/songwriters Omar Lye-Fook and Anoushka Lucas. With each writer composing the music for one character specifically, our protagonists develop distinct, clashing sensibilities.

Shouldering the burden of combining these elements are actors Roderick Sanford and Chanel, whose effortless chemistry is the reason this production succeeds. As Klook and Vinette break down each other's emotional barriers, these performers aptly portray two sides: one shown to the world and the other kept locked away. Playing off Chanel's warm presence, Sanford communicates well the pain and joy that masculine Klook finds in being vulnerable. Similarly, Sanford's affability inspires playful energy within Chanel's Vinette as she reclaims her creative spirit.

It is because they're imperfect while still inspiring the best in each other that this duo is endearing. Like the characters themselves, I found myself believing that something beautiful can last simply because it's good. Though it's clear from the start that tragedy is inevitable, we want nothing more than to see this relationship prosper. Therein lies the point of The Ballad of Klook and Vinette: Love is an imperfect art. It is messy, irrational, and often painful – but when lost in its throes, not a damn thing can be done to change that. To quote Vinette, "When it clicks, it clicks."


The Ballad of Klook and vinette

Zach Theatre Kleberg Stage, 1421 W. Riverside, 512/476-0541
www.zachtheatre.org
Through May 26
Running time: 2 hr.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Zach Theatre
A Year Later, the Time Is Right for Another Conversation About <i>Notes From the Field</i>
A Year Later, the Time Is Right for Another Conversation About Notes From the Field
In the wake of George Floyd’s murder, Zach Theatre streamed its staging of the 2019 production and led a discussion on Zoom

Robert Faires, June 19, 2020

Zach Theatre's <i>Every Brilliant Thing</i>
Every Brilliant Thing
This production of Duncan Macmillan's solo show gives audiences a reason to live – make that a million reasons

Robert Faires, Feb. 14, 2020

More Arts Reviews
"Reweave: 2021"
With her exhibition, artist Jade Walker entwines viewers in the future of the planet

Robert Faires, July 23, 2021

Playwright Carlo Lorenzo García Paints His Mother's Sacrifice
Playwright Carlo Lorenzo García Paints His Mother's Sacrifice
A Portrait of My Mother staged by Jarrott Productions, depicts maternal perseverance in loving strokes

Robert Faires, July 9, 2021

More by Trey Gutierrez
Jo Carol Pierce’s <i>Bad Girls Upset by the Truth</i>
Jo Carol Pierce’s Bad Girls Upset by the Truth
This revival of Jo Carol Pierce’s one-woman show from the Eighties pays loving tribute to the author without really coming into its own

March 20, 2020

Vortex and New Manifest Theatre's <i>good friday</i>
Vortex and New Manifest Theatre's good friday
Kristiana Rae Colón's shocking drama puts audiences at the intersection of gun violence and sexual assault, and makes us think about both

March 13, 2020

KEYWORDS FOR THIS STORY

Zach Theatre, Dave Steakley, Chanel, Roderick Sanford, Scott Groh, Ché Walker, Anoushka Lucas, Omar Lye-Fook

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle