Sugar, Water, Purple: Can We Kick It? at ColdTowne

This showcase showed how improvisers from disenfranchised groups can provide meaningful support for one another and make damn good improv

Having spent this past year engaging with theatre by (and for) marginalized groups, I've grown an appreciation for the fellowships these productions inspire. A platform for representation in the arts allows disenfranchised creatives to make meaningful connections with one another, providing unwavering support in the faces of both success and failure. Unsurprisingly, this sort of fraternity makes for damn good improv – as evidenced by ColdTowne Theater's weekly showcase Can We Kick It?

This current residency in ColdTowne's Wednesday, 8:30pm time slot is hosted by "Austin's first marginalized improv troupe," Sugar, Water, Purple. Assembled by creative Kenah Benefield, this group lends a unified voice to some of the city's most prolific black improvisers, including the first graduate of Austin's five major improv schools, Chris Villafano. The evening I attended also featured a special guest performance by Y'all We Asian, the collective of entertainers of Asian descent that received the 2018 Ethel Hinkley Award for Outstanding New Improvisational Troupe from the B. Iden Payne Theatre Awards Council – an honor bestowed upon Sugar, Water, Purple one year prior.

Kicking off this night's showcase was ColdTowne's own Kinkade, whose brief opening set featured side-splitting displays from community favorites Nathan Sowell and Emma Holder. They were followed by Y'all We Asian, who used the audience suggestion of "zoo" as the setting for bizarre tales of unscrupulous businessmen, tense family vacations, and freedom-hungry lions. The gracefulness with which the group's members functioned as a crew was striking. Most apparent in scenes involving standouts Kim Tran* and G-Su Paek, the chemistry these improvisers shared allowed for the seizing of many unique comedic opportunities.

One unusual aspect of this set, however, was how often the performers laughed at their own jokes. While this seems like a potential detraction, oddly enough, I found these occasional character breaks entertaining in much the same way a movie's blooper reel can inspire infectious laughter. A troupe having as much fun as their audience can be quite endearing. As Y'all We Asian left the stage, I found myself smiling as if I had spent an evening catching up with my funniest acquaintances.

In closing the night, Sugar, Water, Purple's six members built a set around the unique audience suggestion of "dementia." Starting things off was a freestyle rap by Symply Courtney that, despite a gleefully off-color chorus ("When I say 'dementia,' you say 'Huh!'"), showcased this affable comedian's apt lyrical prowess, creating an energetic rhythm for the vignettes to come. Following Courtney's rap, the full group returned to the stage and began their show from the top (as if the past 10 minutes were forgotten), introducing themselves once more before spilling into the crowd and hounding audience members for suggestions.

To me, this fourth-wall breaking, improvised déjà vu encapsulates what makes Sugar, Water, Purple so captivating: a willingness to commit to ambitious ideas as a group, no matter how unconventional they may seem. Rather than aiming for a cheap laugh every 30 seconds, these improvisers are willing to let comedic premises gestate, growing them as a unit until they either soar spectacularly or hit a dead end. Thanks to moments like these, the group earned the night's biggest laughs by far but also delivered a few of its rockiest moments. Still, the way that Sugar, Water, Purple's members steadfastly stand behind each other, allowing one another to step off the beaten path and explore new comedic opportunities, makes this seasoned troupe well worth engaging.

As I left my last theatre show of 2018, I felt a renewed appreciation for the human connections that create memorable improvised theatre. Not escaping me was the irony that two troupes historically denied representation in improv both exhibited a powerful understanding of what makes the art form so endearing.

Sugar, Water, Purple: Can We Kick It?

ColdTowne Theater
4803-D Airport

Editor's note: This article has been updated to correct the name of Y'all We Asian performer Kim Tran.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More ColdTowne Theater
ColdTowne’s <i>Missed Connections ATX</i>
ColdTowne’s Missed Connections ATX
The show improvised from actual Craigslist ads is as hilarious as it is oddly cathartic to the singles in the crowd

Shanon Weaver, March 16, 2018

ColdTowne Theater's <i>Deja Noir</i>
ColdTowne Theater's Deja Noir
Double Indemnity provides the structure for an improvised and hilarious riff on those dark crime films out of the past

Shanon Weaver, Feb. 9, 2018

More Arts Reviews
Dance Repertory Theatre's <i>Fortitude</i>
Dance Repertory Theatre's Fortitude
In this spring concert, a profound and moving tribute to a missing member of the Theatre & Dance Department community

Robert Faires, March 22, 2019

"Stella Alesi: Journeying" at Prizer Arts & Letters
The artist extends her protean skills toward the bold and minimal

Wayne Alan Brenner, March 22, 2019

More by Trey Gutierrez
TexARTS' <i>Xanadu</i>
TexARTS' Xanadu
This musical comedy embrace of Eighties pop culture is served up with all the energy, excess, and extravagance the decade deserves

March 1, 2019

Mary Moody Northen Theatre's <i>The Three Musketeers</i>
Mary Moody Northen Theatre's The Three Musketeers
A contemporary script, powerful acting, and fantastic swordplay combine to create a heroic journey that's fun and easy to get lost in

Feb. 22, 2019


ColdTowne Theater, Sugar, Water, Purple, Y'All We Asian, Kinkade, Kenah Benefield, Chris Villafano, Symply Courtney, Yola Lu, G-Su Paek, Nathan Sowell, Emma Holder

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle