The Last Five Years at the Institution Theater

Sherrod Curry Productions' staging of the Jason Robert Brown musical is gracefully performed and wildly cathartic

Glad we had this time together: Megan Sherrod (l) and Sarah Marie Curry (Photo courtesy of Steve Rogers Photography)

Love is a many blundered thing, its beginnings and endings a chaotic riptide of bliss, confusion, and agony. The Last Five Years, written and composed by Jason Robert Brown, takes us tunefully through a young couple's relationship over – you guessed it! – five years, from jubilant, coy genesis to heart-wrenching terminus, but does so in a novel way: One character moves forward in time, and the other backward. While this approach may seem like a gimmick at first, this Sherrod Curry Productions offering knows exactly what it's doing, adding yet another twist to this cozy musical. The result is a beautiful evening of intimate reflection, gracefully performed and wildly cathartic.

Austin has seen this show twice already over, well, the last seven years, with Penfold Theatre's productions in 2009 and 2015. A third staging in such a short time is firmly justified, however, by the idea of director Emily Rankin and producers Megan Sherrod and Sarah Marie Curry to have both parts played by women – Sherrod and Curry themselves. Here the traditional gender binary is visually removed, subtly and brilliantly allowing audiences to absorb the story in a compelling fashion. In any breakup, there is her story, his story, and the truth somewhere in the middle. Our instincts to observe, process, and judge the story based on our preconceived construct of gender evaporates, and it's fascinating how the simple absence of the masculine achieves this.

To be clear, this is not a depiction of a lesbian relationship – it's about as heteronormative as it gets, in fact. The program specifically states the writer's insistence that no aspect of his work be adapted or adjusted. One could argue this includes alternative casting, but that's an argument for a different article, and the advantage goes to the producers in this case simply for the end result. Curry's Jamie is a man. And not a woman "playing at" being a man, just an actor playing her character – and doing so very honestly as he moves forward in time, through the rise and fall of his relationship with Sherrod's Cathy, who moves backward in time from Jamie's departure through their first date. We're allowed to empathize safely with both as they sing their way through their relationship, the perils of loneliness, success, and distance taking their toll on each, with due diligence paid to the insight and conflict of both characters.

The clubhouse space at the Institution Theater doesn't lend itself well, acoustically speaking, to a musical: Every vocal imperfection is magnified in the small and intimate space (here set up simply to look like an apartment and lit well by Lindsey McGowen). But this is fitting and very lovely in and of itself. Which is not to say Sherrod and Curry don't sound great; both have good pipes and range, but we're not dealing with a huge, gaudy production – Legally Blonde: The Musical this decidedly ain't. It's a musical of two people sharing a space onstage and in each other's lives, and each crack of voice, every wrong note, tells a story so full of pain and/or elation that crisp and flawless tones would seem dishonest. Music director Max Randa clearly allows for that, letting the actors fully live within their emotional states without being overcome by them.

The piece on the whole is an intoxicating look not only at the simple idea of love, but also at how we digest stories based on how they're presented – perhaps as much a social experiment as it is a theatrical piece, asking us to consider the feeling rather than the delivery system. Personally – and this may hold true for anyone at the end of an important relationship – I found myself able to identify with both characters at different times throughout, sometimes feeling kinship with one while gaining incredible insight from the other. I certainly left the theatre with a new perspective on my own relationships, and that's an incredible testament to the transformative power of theatre.

The Last Five Years

Institution Theater Clubhouse, 3708 Woodbury, 325/227-7516
Through April 2
Running time: 1 hr. 5 min.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Institution Theater
<i>Immigrants, The Musical! (Part Two)</i>
Immigrants, the Musical! (Part Two)
With this improvised musical series, one family's tale of coming to the states becomes a tale about us all

Robert Faires, Nov. 23, 2018

<i>Matt & Ben</i> at the Institution Theater
Matt & Ben at the Institution Theater
Mindy Kaling and Brenda Withers use Damon and Affleck to create a hilarious case study in how Hollywood murders friendship

T. Lynn Mikeska, Jan. 20, 2017

More Arts Reviews
Review: Gilbert & Sullivan Austin's <i>The McAdo</i>
Review: Gilbert & Sullivan Austin’s The McAdo
Spry rewrite of the classic operetta swaps kimonos for kilts

Bob Abelman, June 17, 2022

Ronnie Earle, Gangbuster
Ronnie Earle, Gangbuster
Jesse Sublett revisits Austin’s criminal past in Last Gangster in Austin

Jay Trachtenberg, June 10, 2022

More by Shanon Weaver
Zach Theatre's <i>Heisenberg</i>
Zach Theatre's Heisenberg
In Simon Stephens' play, we observe the unlikely pairing of two people as an experiment in risk and change

July 6, 2018

<i>Booth's Richard III</i> by the Hidden Room Theatre
Booth's Richard III by the Hidden Room Theatre
Beth Burns and company unearths a fascinating theatrical time capsule with this version of Shakespeare's tragedy

June 22, 2018


Institution Theater, Sherrod Curry Productions, Jason Robert Brown, Sarah Marie Curry, Megan Sherrod, Emily Rankin, Lindsey McGowen

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Behind the scenes at The Austin Chronicle

Information is power. Support the free press, so we can support Austin.   Support the Chronicle