Top 10 (+1) Theatre Riches of 2015

Wild theatrical energy and masterful performances were the hallmarks of outstanding theatre in 2015


Thr3e Zisters

1) Thr3e Zisters (Salvage Vanguard Theater)

In Lola Pierson's irreverent take on Chekhov, those siblings pining for Moscow became the Waiting Dead, disinterred for one more replay of their sad tale. But they were never more lively (or deadly) than in SVT's staging. The biting script was charged with a wild theatrical energy by the rolling wall of Ia Ensterä's set and Yury Urnov's direction, and the performances, kicked off with sublime mime from Robert Matney, were to die for.


2) Refugia (UT Dept. of Theatre & Dance)

Devised by Minneapolis-based the Moving Company with UT students, this meditation on humanity in transit gave a bracing global tour, with stops that included a Soviet train depot, a Midwestern nursing home, and a magical library. Driven by the masterful performances of the guest artists, this poignant, comic work moved and was moving.


3) Kiss Me Kate (Texas State University Dept. of Theatre & Dance)

Cole Porter's saucy showbiz riff on Taming of the Shrew became a rafter-shaking shindig in harlequin tights as ace choreographer-director Cassie Abate put her students through their paces. The cast's handling of the script's raucous comedy and Porter's sly tunes delighted, as did Michael Raiford's eye-popping designs.


4) Tortoise & Hare (Summer Stock Austin)

In their reinvention of Aesop's fable, Allen Robertson and Damon Brown created an original musical for Summer Stock even more joyous and affecting than 2014's Stone Soup. Lessons about friendship, community, sacrifice, gender roles, and the environment were served up with rap, catchy tunes, and the humor and heart of a Pixar film.


5) Hunger (Vortex Repertory Company)

Ebony Stewart brought all the fire and fearlessness that's made her a legend in spoken-word circles to this solo show about her own pain and healing. As intensely personal and richly written a show as I saw, its artfully chosen words delivered with spellbinding force.


6) Everything is Established (Physical Plant Theater)

Just to see gifted actors Lee Eddy, Jeffery Mills, and Michael Joplin play off one another was a joy, but to see them play strange games and lose their identities to an absent master in Hannah Kenah's Beckettian fling was both a joy and unnerving.


7) Cenicienta (Zach Theatre/Teatro Vivo)

Just a girl alone in a basement acting out the Cinderella story, but the playing of it was pure enchantment, thanks to the charm of Rupert Reyes' script; the clever, witty use of household objects as puppets by Caroline Reck; and the vivacity of actor Gricelda Silva, who brings to every role a magic all her own.


8) The Christians (Hyde Park Theatre)

That rare play that puts a crisis of faith center stage and treats believers with compassion, Lucas Hnath's drama of a megachurch minister causing a seismic rift in his congregation is remarkable, and HPT staged it with a sensitivity that touched heart and spirit.


9) The Strangerer (Capital T Theatre)

For whatever bizarre impulse led playwright Mickle Maher to mash up Albert Camus and the 2004 presidential race, we're grateful. It served up a feast of provocative political satire and, in this staging, the perverse glee of watching Robert Pierson's spot-on W implode.


10) Mr. Burns, a post-electric play (Mary Moody Northen Theatre)

Dystopian futures are yesterday's news, but this one, in which The Simpsons goes from pop-cult touchstone to primal myth, offered a fresh view of the power of stories. Animated by a fine cast and Tara Cooper's exquisite Simpsons masks.


11) The History Of King Lear (Hidden Room Theatre)

Nahum Tate's notorious rewrite of the Bard (Lear ends happily!) was revived with respect by Beth Burns and a production team whose fidelity to Restoration presentation made this take on the familiar tale sumptuous and surprisingly appealing.


Honorable Mentions

All the Way (Zach Theatre)

Krapp's Last Tape/Hughie (Actors Theatre Austin)

Sunday in the Park with George (Austin Shakespeare)

Hands Up Hoodies Down (Vortex Repertory Company)

Hairspray (Zilker Productions)

The Mountaintop (Austin Playhouse)

READ MORE
More Top 10s 2015
Top 10 Reproductive Rights Stories
Top 10 Reproductive Rights Stories

Mary Tuma, Jan. 1, 2016

Top 10 Labor Stories
Top 10 Labor Stories

Amy Kamp, Jan. 1, 2016

More by Robert Faires
Zach Theatre's <i>Singin' in the Rain</i>
Zach Theatre's Singin' in the Rain
This stage take on the silver-screen musical really comes alive when it breaks free of the familiar film's grip

Oct. 20, 2017

La Follia Plays J.S. Bach’s Greatest Chamber Music
La Follia Plays J.S. Bach’s Greatest Chamber Music
Choosing Bach’s top chamber works may be impossible, but the baroque ensemble made a convincing case for five not-easy pieces in this concert

Oct. 20, 2017

KEYWORDS FOR THIS STORY

Top 10s 2015, Salvage Vanguard Theater, Ia Ensterä, Robert Matney, UT Dept. of Theatre & Dance, The Moving Company, Texas State University Dept. of Theatre & Dance, Cassie Abate, Summer Stock Austin, Allen Robertson, Damon Brown, Vortex Repertory Company, Ebony Stewart, Physical Plant Theatre, Hannah Kenah, Lee Eddy, Michael Joplin, Jeffery Mills, Zach Theatre, Teatro Vivo

MORE IN THE ARCHIVES
NEWSLETTERS
AC Daily, Events and Promotions, Luvdoc Answers

Breaking news, recommended events, and more

Official Chronicle events, promotions, and giveaways

Updates for SXSW 2017

All questions answered (satisfaction not guaranteed)