Mexic-Arte Museum's "Community Altars"

An exhibition of altars from 10 Mexican states reveals the regional differences in how Día de los Muertos is celebrated


Traversing the dynamic history of El Día de los Muertos (the Day of the Dead) through various regions of Mexico, Mexic-Arte Museum's "Community Altars" stands more as a cultural lesson than an art exhibition. Its ornately decorated altars from 10 of the country's 31 states (Coahuila, Guanajuato, Guerrero, Jalisco, Mexico D.F., Michoacán, Oaxaca, Puebla, San Luis Potosí, and Veracruz) reveal the diverse interpretations that have developed toward the holiday across Mexico. The Mexico D.F. altar is perhaps the most grandiose, taking up a whole gallery wall, its bright magenta tiers adorned with marigolds, sugar skulls, portraits, and La Calavera Catrina, made famous by the Mexican artist and printmaker José Guadalupe Posada. Other regions take a more demure approach and incorporate local fare into their ofrendas, or offerings, that honor the deceased; the Veracruz altar, for instance, is decorated with shells and nets to represent the oceanside state. (There's also an altar for the city of Austin, highlighting the members of the visual arts community who have contributed to the success of Mexic-Arte over the years.) Wherever they're from, the altars are personal, beautiful, and compelling, and viewers will find themselves almost struggling to take in all of their details.

"Community Altars" does a good job of explaining the role the holiday plays in Mexican culture, beginning with its roots in both the pre-Columbian era and Catholicism. Unfortunately, the exhibition does little to bring the Day of the Dead into a modern perspective. Some smaller sculptures and video work help explore a somewhat contemporary view, but they are almost entirely overshadowed by the monumental altars. As Mexic-Arte embarks on its 33rd celebration of Día de los Muertos in 2016, it would be welcome for the museum to try and see this exciting holiday through a present-day lens.


"Community Altars: Ofrendas Inspired From the States of Mexico"

Mexic-Arte Museum, 419 Congress
www.mexic-artemuseum.org
Through Nov. 22

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Mexic-Arte Museum
The Crossroads Meet at Mexic-Arte Museum's
The Crossroads Meet at Mexic-Arte Museum's "Intersección: Choque & Alivio"
The 25th edition of this showcase for early-career Latinx artists is a space for sharing our shock over this time and our humanity

Robert Faires, Sept. 18, 2020

Mexic-Arte Museum's
Mexic-Arte Museum's "Fotografía y Nuevos Medios: Selections From the Permanent Collection"
The exhibition puts on view a treasure trove of images that have been in hiding for too long in the museum's collections

Melany Jean, Feb. 9, 2018

More Dia de los Muertos
Gay Place: Pure, Unadulterated Hell
Gay Place: Pure, Unadulterated Hell
Christeene goes to hell and back for you

Kate X Messer, Oct. 31, 2014

Gay Place
Gay Place
Halloqueers and Dia de las Lezbos, just another wild weekend in the gAyTX

Kate X Messer, Nov. 1, 2013

More Arts Reviews
Arts Review:
Arts Review: "Floriculture"
The impermanence of floristry and the eternal nature of tattoos highlight Pastiche House’s fusion philosophy

Wayne Alan Brenner, June 2, 2023

Review: Penfold Theatre's <i>Vincent</i>
Review: Penfold Theatre's Vincent
Penfold Theatre proves that size matters in surprising ways when painting a portrait of Van Gogh

Bob Abelman, March 31, 2023

More by Caitlin Greenwood
Kevin McNamee-Tweed: The Exit Interview
Kevin McNamee-Tweed: The Exit Interview
As he leaves Austin, the award-winning curator and artist reflects on the city's artists and art community

March 10, 2017

“I saw the world” at Pump Project
“I saw the world” at Pump Project
Imperialism and identity compete in Betelhem Makonnen’s solo show about a 19th century Ethiopian prince

Dec. 23, 2016

KEYWORDS FOR THIS STORY

Mexic-Arte Museum, Dia de los Muertos, José Guadalupe Posada

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle