Book Review: Epic Feats

This account of the cinematic epic's epic creation is as full of drama and memorable characters as the film itself

Epic Feats

The Making of Gone With the Wind
by Steve Wilson
University of Texas Press, 352pp., $50

Epic Feats

Lift the cover and the first thing you see is a sweeping image of a railyard at night, bathed eerily in garish red and orange hues. Gigantic tongues of flame and monstrous coal-black clouds rise behind a line of boxcars, beside which sits the small silhouette of a horse-drawn wagon with one figure hunched at the reins and another standing in front of the horse, pulling it forward. Anyone with even a passing familiarity with the film Gone With the Wind will instantly recognize the scene as the burning of Atlanta. Only this isn't a color still from the finished movie. It's a detail from the extensive storyboard made by production designer William Cameron Menzies before one frame of that historic sequence was shot. And its lush reproduction on the inside front cover of this UT Press edition lets you know just what you're in for here: an account of this cinematic epic's epic creation that is expansive, delves deeply into the filmmaking process, is rendered with tremendous care, and is gobsmackingly gorgeous to behold.

Author Steve Wilson takes the same chronological approach that he employed in curating the Ransom Center exhibition of the same name: following the project season by season from Selznick International Pictures' purchase of the film rights to Margaret Mitchell's novel in the summer of 1936 through the two and a half years of pre-production that included the torturous adaptation of the book into a screenplay, the national hoopla over casting Scarlett, the studio deal cut with Clark Gable to play Rhett, and protests by African-Americans over the treatment of slavery in the story; through the traumatic filming in the winter, spring, and summer of 1939, in which original director George Cukor was fired and replaced by Victor Fleming, who himself had to be replaced briefly by Sam Wood after collapsing from exhaustion two months in; through to the film's lavish premiere in Atlanta in the winter of '39. Those who found Wilson's exhaustive exhibit exhausting will find his book a welcome remedy, allowing them as many hours as they like to pore over the numerous articulate and often witty memos from producer David O. Selznick and his savvy aide Katherine "Kay" Brown (well worth a read; they're as entertaining as they are illuminating); the stunning concept paintings by Menzies, Dorothea Holt, and Joseph McMillan "Mac" Johnson; Walter Plunkett's elegant costume designs; and, of course, the scores of wonderful photos shot on set and behind the scenes.

The Making of Gone With the Wind spins a tale as full of drama, memorable characters, tragedies, and triumphs over seemingly insurmountable odds as the one told on film, which makes it indispensible for not only fans of GWTW and those with an interest in how movies were made in Hollywood's Golden Age, but anyone who loves a good yarn splendidly told.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Gift Guide 2014
New Sounds of the Season
New Sounds of the Season
Christmas cheer for the ear from UT Wind Ensemble, Austin Symphony, and Conspirare

Robert Faires, Dec. 12, 2014

More Harry Ransom Center
"Ed Ruscha: Archaeology and Romance" at the Ransom Center
This evocative excavation into the artist's process of creating art and making books reveals the work of art is the completed book itself

Melany Jean, Oct. 19, 2018

<i>Booth's Richard III</i> by the Hidden Room Theatre
Booth's Richard III by the Hidden Room Theatre
Beth Burns and company unearths a fascinating theatrical time capsule with this version of Shakespeare's tragedy

Shanon Weaver, June 22, 2018

More Arts Reviews
<i>The Zealot and the Emancipator</i> by H.W. Brands
The Zealot and the Emancipator by H.W. Brands
This history by the UT professor offers a new look at John Brown and Abraham Lincoln: side by side

Robert Faires, Dec. 25, 2020

<i>Caste: The Origins of Our Discontents</i> by Isabel Wilkerson
Caste: The Origins of Our Discontents by Isabel Wilkerson
In her second book, the author of The Warmth of Other Suns examines and breaks down the unacknowledged social structure baked into our country

Rosalind Faires, Nov. 13, 2020

More by Robert Faires
The Blanton Museum Undertakes a $35 Million Makeover of Its Grounds
The Blanton Museum Undertakes a $35 Million Makeover of Its Grounds
With the international architectural firm Snøhetta, the UT museum will add community spaces and art to its outdoor experience

Jan. 22, 2021

Andrea Ariel Dances for Democracy
Andrea Ariel Dances for Democracy
On Sunday, the artist's dancing mailbox was a Capitol surprise

Jan. 20, 2021


Gift Guide 2014, Harry Ransom Center, The Making of Gone With the Wind, Steve Wilson, David O. Selznick, University of Texas Press, coffeetable books

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle