The Pain and the Itch

Capital T's trip to this dysfunctional family home for Thanksgiving is well worth taking

Carving up more than turkey: (l-r) Sadie Dragoo,  Lana Dieterich, Ken Bradley, and Liz Fisher in <i>The Pain and the Itch</i>
Carving up more than turkey: (l-r) Sadie Dragoo, Lana Dieterich, Ken Bradley, and Liz Fisher in The Pain and the Itch

The Pain and the Itch

Hyde Park Theatre, 511 W. 43rd, 479-7529
Through Nov. 24
Running time: 2 hr., 15 min.

There are some things in life you can count on. One of them is that a fantastic set is in store when attending a show at Hyde Park Theatre – especially when that show is produced by either HPT itself or Capital T Theatre, a company that frequently treads the tiny venue's boards. With The Pain and the Itch, though, Capital T Artistic Director Mark Pickell (who doubles as the production's set designer) has outdone himself. Before a single word is spoken, we're transported to the open-concept abode that will serve as the backdrop for the remainder of the evening – a world where every detail is key. And just as Pickell's set (lit with equaled nuance by Patrick Anthony) pays incredible attention to subtle detailing that will frame the shadowy events to come, so too does the imminent production brim with nuance.

I wasn't surprised when Capital T announced that it would program The Pain and the Itch, which falls squarely into the Tracy Lettsian aesthetic that has by now become quite familiar to the company's patrons. From Killer Joe to Bug to its most recent production, Exit, Pursued by a Bear, Capital T has proudly carried the torch of the Dysfunctional Family Drama throughout its six-year history. And while neither Bear nor Itch quite lives up to Letts' works in terms of writing for the subgenre (what does?), Pickell and crew have established a solid track record for exposing many a seedy innard. But unlike the trashy motel room aesthetic that seeps from many of Capital T's "dysfunctional" plays, The Pain and the Itch (penned by Pulitzer winner Bruce Norris, author of the acclaimed Clybourne Park) doesn't take its audience into a space that causes the skin to crawl simply by virtue of its setting. Here, the lines are strikingly sleek. The decor is tasteful, the place spotless. Too spotless. Thanksgiving dinner is ready. And all hell is about to break loose.

Although there were, for me, some confusing moments along the ride (as well as a few somewhat flat "surprises"), the evening can be summed up in one cliche: "You'll laugh, you'll cry." Norris is especially adept at evoking a broad range of emotions from his characters (and, at least on the night I attended, from his audience). And the characters in Capital T's production are played by some of Austin's finest. Itch doesn't boast the gravitas of sister play August: Osage County, but thanks to this cast and creative team, it does take one to unique places on the same map. It's a journey very much worth taking (but leave the kids at home).

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More The Pain and the Itch
Culture Flash!
Culture Flash!
American Fiesta makes the finals of a national new play award, the Rude Mechs get their Gun from Creative Capital, and Katalin Hausel lands the Umlauf Prize

Robert Faires, March 10, 2006

More Austin theatre
Examining the Sins and Virtues of Hypermasculine Theatre
Examining the Sins and Virtues of Hypermasculine Theatre
When is violence in theatre too much?

Shanon Weaver, Dec. 9, 2016

Making Room to Play
Making Room to Play
Create Space Austin kicks off the drive to secure more performing venues in the city

Elizabeth Cobbe, April 15, 2016

More Arts Reviews
<i>Running</i> by Natalia Sylvester
Running by Natalia Sylvester
Natalia Sylvester’s YA debut makes the political personal

Rosalind Faires, Oct. 30, 2020

Blue Lapis Light's <i>Beyond the Clouds</i>
Blue Lapis Light's Beyond the Clouds
This aerial dance company's production brought its dancers down to earth but still lifted us up

Robert Faires, Oct. 30, 2020

More by Adam Roberts
<i>When the Rain Stops Falling</i>
When the Rain Stops Falling
Strong writing and a robust cast make Different Stages' production stay with you

July 10, 2015

<i>The Sorcerer</i>
The Sorcerer
The Gilbert & Sullivan Society's latest show may be lesser known, but it still prompts plenty of smiles

June 26, 2015


The Pain and the Itch, Austin theatre, Bruce Norris, Mark Pickell, Patrick Anthony, Capital T Theatre, Hyde Park Theatre

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle