https://www.austinchronicle.com/arts/2005-12-02/315667/
Austin Chronicle: So what prompted the revival?
Michael Mergen: I saw the original production, and it stuck in my imagination. I was a UT film student at the time, and since then, the more theatre I've done the more it's come back to me, and I've just wanted to attack it. I must have talked about this with Kirk at least once a year, and I was talking with him about it last year when Lana Lesley [one of the Rudes' five co-producing artistic directors "copads"] heard us and walked up and said, "OK, then do it."
AC: Any changes in the script or the show that reflect how far the Rude Mechs have come?
MM: Company members fill four of the six roles, but they're newer company members, which was kind of a choice I made. When I was thinking about the casting for this, the company for the first time in a couple of years had just invited a bunch of new artists in that we'd recently worked with most of them on Cherrywood, people like Heather Hanna and Jodi Jinx. Because it's the 10th season, we have all these new artists that weren't here 10 years ago, and because it's a Second Stage production, which is kind of a playground for newer company members, it was an idea that the copads got behind and really liked.
AC: What was it about the play that stuck with you all this time?
MM: That there's institutional idiocy everywhere and that the people in charge are really kind of scary and not all-there, and yet somehow are incredibly appealing on some level for that very reason. It reminds me of the best Marx Brothers comedies. It's that classic absurd comedy where everything makes perfect sense, but when you look at it closely, nothing makes sense. You get caught up in the logic of the words and you arrive at these incredibly bizarre conclusions wondering, 'How did I get here?'
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