Refresh Your Eyeballs

2040's 'Summer Swim' provides visual art relief from the heat

<i>Hiding Place Agave</i> by Valerie Fowler
Hiding Place Agave by Valerie Fowler

Summer ... 'tis the season for group shows, which is fine for me because I like group shows. It's like walking through an eclectic house, where each room is different: first a large realistic painting, then an abstract mixed-media piece, then a small print series. What a treat to see such diversity of medium and style in the same space. It's been said that group shows are really about the curator, because the exhibit is not focused on any particular artist's body of work. In that case, we should all thank 2040 Gallery owner Mo Scollan for having such good taste. A painter herself, Scollan has put together an exquisite show.

<i>Drill Press/Script Girl </i>by Michael Abelman
Drill Press/Script Girl by Michael Abelman

Not leaving Texas for the summer? Well, mountains literally rise off the panels of Michael Abelman's highly textured map paintings. They're made from matted and dried layers of paint that crackle like real mud. Glossy rivers and lakes wind between geological features and colorful dots representing cities and painted-on roads. Evidence of civilization is insignificant compared to the natural topography.

Stella Alesi has a new set of mandalas, with a color scheme that looks bleached by the sun. Red and blue radiant circles seem to fade into a light pink ground, whispering, "Go toward the light." On a sillier note, Alesi includes four whimsical marker drawings that suggest happy amoebas. Another vaguely amoebalike piece is Andrew Long's Ariel Love, in which pairs of ochre egg shapes hover over a cloudy, yellow-green field with rich brown patches. Scratched in are other forms reminiscent of circling electrons. It's small and pretty. The other Andrew in the show, St. Martin, displays some large-format abstract works featuring strong earth tones that are really nicely balanced and give off a relaxed feeling. The compositions are slightly groovy and have nicely simplified shapes. They are not overwrought or chaotic; rather, they combine broad forms with light gestural marks.

Enough of the abstract work. Let's move on to that classic target of Southern Artists, the agave. Shark-toothed appendages make a bold silhouette, and its spikes add an element of danger. Light is reflected in a white sheen covering a bluish-green surface. Valerie Fowler has painted some truly grand agaves. In her new work Hiding Place Agave, Fowler uses more dramatic perspectives and has more depth of field than in previous panels. The mostly blue plant emerges in the foreground out of the bottom of the 3-foot-by-3-foot smooth pane, its rippling form filling the majority of the square with crisp vertical rhythms. Many artists would leave it right there – a beautiful plant drifting in an atmosphere outside place and time – but Fowler has a penchant for detail and utilizes the full potential of the surface. Behind the plant is a refined street scene. Yellow strands of grass fade into a realistic brown lawn, then a stripe of gray pavement, then a lush green lawn and a couple of homes. Various trees lead us up to a blue sky. I found myself peering between the leaves to see all these elements in the background. One of the homes is a peach color, a hue often included in Southwestern landscapes, usually in light reflected off rocks or in a sunset. But here it's on what appears to be a typical house in a South Austin neighborhood, the peach a perfect contrast to the blues of the agaves. The color theorist in me loves to see the optical trick of making bright, light warm colors recede into the background. Fowler has two large paintings here, both elegant and cheerful local landscapes.

"Summer Swim" also includes work by Connie Arismendi, Gay Fay, Gabel Karsten, Tony Romano, and Sarah Rondeau, plus Christine Luksza's hilarious series titled Immersions, with underwater photographs of groups of pregnant women in matching swimsuits. About the theme of the show, Mo Scollan says, "I want people to walk in out of the heat and feel like it's refreshing and bright in here. It appears light even if the content of the work is more serious." end story


"Summer Swim" is on display through Aug. 14 at 2040 Gallery, 2040 S. Lamar. For more information, call 912-0902 or visit www.2040gallery.com.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More by Rachel Koper
"Piecing It Together" Gives Credit to Austin's First Graffiti Artists
The Mexican American Cultural Center exhibition captures the lore and legends of the local graffiti scene early on

Jan. 24, 2020

Top 9 (Plus Three) Memories & Best Happenings in 2009
Top 9 (Plus Three) Memories & Best Happenings in 2009
2009 was a good year for artists, young and old, getting their props

Jan. 1, 2010

KEYWORDS FOR THIS STORY

Summer Swim, 2040Gallery, Mo Scallon, Michael Abelman, Stella Alesi, Connie Arismendi, Gay Fay, Gabel Karsten, Tony Romano, Sarah Rondeau, Christine Luksza, Andrew Long, Ariel Love, Andrew St. Martin, Valerie Fowler, Hiding Place Agave

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle