The Unexpected Guest

Local Arts Reviews

The Unexpected Guest: Out of Time

Auditorium on Waller Creek,

through July 20

Running time: 2 hrs, 20 min

Sadly, third time is not always the charm, even for a gifted director like Johanna Whitmore, who has now helmed her third murder mystery for Different Stages. Following well-received outings with Agatha Christie's Black Coffee (1996) and Ladies in Retirement (1999), Whitmore's take on The Unexpected Guest comes a cropper with what may have seemed, initially, a good idea.

"Comes a cropper." No one really talks that way now, do they? Nor does one refer to oneself as "one," these days, either. But that is the style of the language in the world of Agatha Christie's characters, a world still keeping step with the earlier parts of the 20th century. Whitmore has tried to translate the play into a contemporary setting -- modern Maine to be exact -- but hasn't translated the text, rooted in the phraseology and linguistic mannerisms of the past. Rarely do her actors sound as if they are portraying modern characters, no matter the potential behavioral connections between then and now. Further hampering efforts at modernization, her designers haven't evoked a clear rendering of modern times; the ambiguous sets and costumes hail from the attics of an indeterminate, catchall, ready-for-the-stage era. Inexactitude reigns in a stilted and, ultimately, wooden production.

Few members of the cast make their lines sound natural to the modern ear. Gareth Maguire is a solid presence on the stage as Julian Farrar, a candidate running for the local Congressional seat (an Irishman turned naturalized American here, accommodating his brogue, perhaps?). Gay Gaughin-Hurst tells some good tales as the family matriarch, Mrs. Warwick, although her limp seems forced and inconsistent. And why is she allowed a crusty English accent, as is Steven Fay as the creepy/slimy male attendant, Henry Angell? Charles Glenn Hobby, as the titular guest Michael Starkwedder, looks the most Maine-like: sporting a 1970s dry look and stubble, and wearing a checked flannel shirt and work boots. But the words in his mouth, despite his fine voice, sound stale. He's out of place, as are the cellular phone on Weldon Phillips' Inspector Thomas and the Walgreen's-issue writing pad and the orange plastic-handled scissors, in a setting -- and story -- that can't make the leap to the 21st century.

Why not revel in Christie's era? Then the melodramatic twists and turns would entertain because they sound honest, not garner laughs because they sound so weirdly yanked out of the past. Or why not do a wholesale reconsideration of the text and design, to ensure an effective updating? The sound design by George Spelvin (a made-up name traditionally plopped into playbills to give anonymity to the real person responsible for some element of stage work) offers compelling evidence of best-laid plans half-laid: The modern-day cordless phone rings, but it is the ring of a phone from a time before there were cordless phones, from a time when one needn't find an electrical outlet in which to plug one's phone. The disconnectedness between the classic sound and the modern prop echoes the dissonance between Agatha Christie's moody original and this awkward modern translation.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Arts Reviews
All the Way
All the Way
In Zach Theatre's staging of this epic political drama about LBJ, the fight for civil rights feels particularly urgent

Robert Faires, May 1, 2015

Random Acts of Magic
Random Acts of Magic
The 2015 batch of Out of Ink 10-minute plays is a satisfying buffet of silliness and thoughtfulness

Elizabeth Cobbe, May 1, 2015

More by Robi Polgar
<i>National Geographic: Symphony for Our World</i>
National Geographic: Symphony for Our World
The breathtaking natural history footage combined with live symphonic performance sent a noble message: Save the Earth

Aug. 3, 2018

Review: 2018 Austin Chamber Music Festival
Review: 2018 Austin Chamber Music Festival
How the Attacca Quartet, Emerson Quartet, and invoke played

July 17, 2018

KEYWORDS FOR THIS STORY

The Unexpected Guest, Johanna Whitmore, Agatha Christie, Different Stages, Gareth Maguire, Gay Gaughin-Hurst, Steven Fay, Charles Glenn Hobby, Weldon Phillips

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle