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The Zero Theorem

This science-fiction romp from director Terry Gilliam explores a demented and surreal technological future.

Louis Black, Review, Sep. 18, 2014

The Disappearance of Eleanor Rigby: Them

Jessica Chastain plays Her and James McAvoy plays Him, and together they're Them in intriguing head-scratcher.

Kimberley Jones, Review, Sep. 18, 2014

Atlas Shrugged: Who Is John Galt?

Audiences shrug back.

Louis Black, Review, Sep. 18, 2014

The Maze Runner

Of all the dystopian teen fables, this one based on James Dashner’s popular novel is one of the best.

William Goss, Review, Sep. 18, 2014

My Old Lady

Israel Horovitz directs Kevin Kline, Maggie Smith, and Kristin Scott Thomas in this disappointing film adaptation of his play.

Steve Davis, Review, Sep. 18, 2014

No Good Deed

Idris Elba plays a home invader hell-bent on terrorizing Taraji P. Henson’s suburban mom.

Josh Kupecki, Review, Sep. 18, 2014

This Is Where I Leave You

Awfully likeable ensemble comedy.

Kimberley Jones, Review, Sep. 18, 2014

Tusk

Kevin Smith and his actors are fully invested in the sheer madness of this story.

William Goss, Review, Sep. 18, 2014

A Walk Among the Tombstones

Liam Neeson has taken to shooting at bad guys again in this slow-burning Matthew Scudder mystery.

Marc Savlov, Review, Sep. 18, 2014

Land Ho!

This buddy comedy travels all the way to Reykjavik – but does it actually go anywhere?

Marjorie Baumgarten, Review, Sep. 11, 2014

Love Is Strange

Heartfelt, seriocomic romance about two longtime partners who wed after 40 years, then discover all is not bliss.

Marc Savlov, Review, Sep. 11, 2014

God Help the Girl

Belle & Sebastian frontman Stuart Murdoch's first film is a charming movie musical in the key of Mod.

Kimberley Jones, Review, Sep. 11, 2014

Dolphin Tale 2

Wholesome family franchise doesn't rock the boat.

William Goss, Review, Sep. 11, 2014

The Drop

Based on a Dennis Lehane story, this disappointing crime drama costars James Gandolfini in his last role.

Marc Savlov, Review, Sep. 11, 2014

Cantinflas

Mexico's most beloved comedy film star gets the biopic treatment.

Louis Black, Review, Sep. 4, 2014

Frank

Arthouse comedy amuses yet disappoints.

Kimberley Jones, Review, Sep. 4, 2014

The Identical

The fabricated ghost of Elvis Presley's twin brother hangs over this complete muddle.

William Goss, Review, Sep. 4, 2014

Innocence

This story about a damaged, young woman mired in the mundanities of boarding-school life is utterly bloodless.

Marc Savlov, Review, Sep. 4, 2014

The Last of Robin Hood

Kevin Kline is Errol Flynn in this confused story of his late-life affair with 15-year-old Beverly Aadland.

Louis Black, Review, Sep. 4, 2014

The One I Love

Mark Duplass and Elizabeth Moss shine in this rom-com-dram with a twist.

Marjorie Baumgarten, Review, Sep. 4, 2014

A Summer's Tale

Eric Rohmer's 1996 film gets its first Stateside release – and the wait was worth it.

Josh Kupecki, Review, Sep. 4, 2014

Venus in Fur

The play’s the thing in Roman Polanski's erotic screen version of the Tony Award-winner.

Steve Davis, Review, Sep. 4, 2014

No No: A Dockumentary

Famous for pitching a no-hitter while high on acid, Dock Ellis the man was so much more.

Kimberley Jones, Review, Sep. 4, 2014

As Above/So Below

There are things in the catacombs beneath Paris that should remain underground.

William Goss, Review, Sep. 4, 2014

The Trip to Italy

Steve Coogan and Rob Brydon continues their journeys as a couple of guys attached at the funny bone.

Steve Davis, Review, Aug. 28, 2014

The Congress

This live-action/animated hybrid starring Robin Wright is total stoner bait.

Kimberley Jones, Review, Aug. 28, 2014

A Five Star Life

What's not to love about a career as a secret inspector of luxury hotels? Turns out, plenty.

Louis Black, Review, Aug. 28, 2014

The November Man

Pierce Brosnan stars in this spy thriller that's decently made, but lacks the sizzle of a 007 or Jason Bourne.

Marjorie Baumgarten, Review, Aug. 28, 2014

Frank Miller's Sin City: A Dame to Kill For

Forget it, Jake; it's Sin City.

Marjorie Baumgarten, Review, Aug. 21, 2014

The Dog

Dog Day Afternoon is a film about a wildly true bank robbery; as conveyed by John Wojtowicz in this doc, the story gets even nuttier when told from the horse's mouth.

Steve Davis, Review, Aug. 21, 2014

If I Stay

A mixture of hollow heartache and honest feelings mark this teen drama that stars Chloë Grace Moretz as a cello prodigy caught in medical limbo between life and death.

William Goss, Review, Aug. 21, 2014

Rich Hill

The turbulent lives of three boys living in an impoverished Midwestern town are observed through the camera's gentle lens.

Josh Kupecki, Review, Aug. 21, 2014

When the Game Stands Tall

It's all teamwork to the impediment of characterization in this sports drama based the 151-game winning streak of high school football coach Bob Ladouceur.

Kimberley Jones, Review, Aug. 21, 2014

Let's Be Cops

Friends pose as cops are are mistaken for the real thing; episodic hijinks ensue.

William Goss, Review, Aug. 21, 2014

What If

In this romantic comedy, men and women sort out the differences between love and friendship.

Kimberley Jones, Review, Aug. 21, 2014

Calvary

Brendan Gleeson stars in this darkly hilarious and deeply ruminative update on the passion play.

Josh Kupecki, Review, Aug. 14, 2014

The Expendables 3

As action stars of yesteryear and tomorrow pop in and out, they demonstrate what expendable really means.

Marjorie Baumgarten, Review, Aug. 14, 2014

The Giver

This movie based on a Newbery Award-winning novel presents teens in a dystopic society that's a manmade invention born of good intentions.

Marjorie Baumgarten, Review, Aug. 14, 2014

Septic Man

This Canadian horror film wades through a cesspool of human waste and challenges our gag reflexes.

Steve Davis, Review, Aug. 14, 2014

Mood Indigo

Michel Gondry's latest presents us with an elaborate yet handmade artifice that's thoroughly charming until its color drains away.

Kimberley Jones, Review, Aug. 14, 2014

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