The Corporation
An immensely informative and provactive documentary about the growth of corporate entities within the legal sphere, marketplace, and human imagination.
7321-7350 of 12,925 entries
Marjorie Baumgarten, Sept. 24, 2004
A Dirty Shame
John Waters, America's king of trash, is back with this tale of sex addiction, fetishes, and mad, bad, lascivious squirrel sexin’.
Marc Savlov, Sept. 24, 2004
Tae Guk Gi: The Brotherhood of War
The most costly and the most popular film in South Korean history is also one of the most gripping and epic war films ever made.
Marc Savlov, Sept. 24, 2004
The Five Obstructions
This sublime documentary, which recounts a bizarre battle of creative wits between Danish film director Jørgen Leth and the notorious Lars von Trier, also features a segment animated by Waking Life's technical wizard Bob Sabiston.
Marc Savlov, Sept. 24, 2004
Shaun of the Dead
This "romantic comedy … with zombies" has a note-perfect mix of humor, horror, love, and death.
Marc Savlov, Sept. 24, 2004
Mr. 3000
This Bernie Mac baseball flick is standard genre fare.
Marrit Ingman, Sept. 17, 2004
Silver City
John Sayles adds his cinematic two cents to this election year’s plethora of politically minded movies.
Marjorie Baumgarten, Sept. 17, 2004
Wimbledon
A terribly tender, good-hearted romantic comedy from across the pond.
Kimberley Jones, Sept. 17, 2004
Resident Evil: Apocalypse
You can't keep a bad zombie down.
Marc Savlov, Sept. 17, 2004
Mean Creek
A kinder, gentler Bully.
Kimberley Jones, Sept. 17, 2004
Ghost in the Shell 2: Innocence
Visually stunning sequel to the cult 1995 anime.
Marc Savlov, Sept. 17, 2004
Code 46
Cyberpunk meets renegade romance, à la Orwell.
Marc Savlov, Sept. 17, 2004
The Hunting of the President
This Friend-of-Bill doc recounts the hard-right campaign to cut short the Clinton presidency.
Michael King, Sept. 17, 2004
Sky Captain and the World of Tomorrow
This CGI adventure yarn is a loving tribute to all things retro-futuristic.
Marc Savlov, Sept. 17, 2004
Touch of Pink
This queercentric romantic comedy gets its inspiration from culture clash and the ghost of Cary Grant.
Steve Davis, Sept. 17, 2004
Slacker
Marc Savlov, Sept. 10, 2004
Metallica: Some Kind of Monster
You don't have to be a Metallica fan to enjoy this candid documentary that in essence is a complex chronicle of people just trying to get along.
Marrit Ingman, Sept. 10, 2004
The Cookout
Don't get burned on these leftover stereotypes.
Kimberley Jones, Sept. 10, 2004
What the #$*! Do We Know!?
Quantum physics, intent and possibility, science and fantasy … goofy cult or educational primer?
Marc Savlov, Sept. 10, 2004
My Mother Likes Women
In this mildly daffy Spanish import, a woman's grown daughters react to the news that their mother has taken a woman lover 20 years younger than she.
Kimberley Jones, Sept. 10, 2004
Cellular
Feels like a B-picture, but a smart, finely tuned one that wouldn’t have been out of place in Roger Corman’s mid-Seventies stable.
Marc Savlov, Sept. 10, 2004
Paparazzi
A vicious revenge fantasy produced by Mel Gibson, the Passionate filmmaker who last partnered with that turn-the-other-cheek fellow.
Marjorie Baumgarten, Sept. 10, 2004
Criminal
Solid but uninventive American remake of a sly Argentinean movie about a couple of con men who should have left well enough alone.
Marjorie Baumgarten, Sept. 10, 2004
Ju-on: The Grudge
Fear of what's lurking just out of sight is at the heart of this Japanese horror film.
Marc Savlov, Sept. 10, 2004
We Don't Live Here Anymore
What people fight about when they fight about love.
Kimberley Jones, Sept. 3, 2004
SuperBabies: Baby Geniuses 2
Let’s just call SuperBabies what it is: child abuse.
Marjorie Baumgarten, Sept. 3, 2004
Dear Pillow
Provocative Austin-made feature pushes sexual buttons meant to arouse and provoke, but never satisfy.
Marc Savlov, Sept. 3, 2004
Outfoxed: Rupert Murdoch's War on Journalism
The Fox News Channel's "fair and balanced " reporting is put to the test in this partisan documentary.
Marc Savlov, Sept. 3, 2004
Wicker Park
Paul McGuigan pulls out all the stops on his Wurlitzter Organ of Incessant Camera Trickery to muddy the waters of rationality in this bizarre remake of a fine French thriller.
Marc Savlov, Sept. 3, 2004
Vanity Fair
Disappointing screen adaptation lacks the novel's satiric edge.
