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Forever Young

Ah, the sweet, sentimental, sacrificial nature of lost love slipping beyond the veil of the unknown -- through the death or disappearance. How well this...

Pamela Bruce, Review, Dec. 18, 1992

The Ox

At once a gorgeous, near-perfect film as well as a resolutely depressing story, The Ox is beautiful to look at, even as you keep pinching...

Marc Savlov, Review, Dec. 18, 1992

The Distinguished Gentleman

There's something fundamentally unholy about a film whose press release calls Eddie Murphy the Jimmy Stewart of the Nineties. Granted, The Distinguished Gentleman plays as...

Marc Savlov, Review, Dec. 11, 1992

The Muppet Christmas Carol

The Muppets bring cheer to Ebenezer Scrooge.

Pamela Bruce, Review, Dec. 11, 1992

A Few Good Men

Melodrama doesn't come more butch than this, and this performances reflect that intensity, although Aaron Sorkin's moral predicaments are given full scrutiny.

Marjorie Baumgarten, Review, Dec. 11, 1992

Zebrahead

Winner of the 1992 Sundance Film Festival's Filmmaker's Award, Anthony Drazan's directorial debut is a scorching little story that examines the inherent hazards of an...

Marc Savlov, Review, Dec. 11, 1992

Laws of Gravity

If you introduce a gun in the first act, it's certain to go off by the third. That's one of the classic rules of playwriting/scriptwriting;...

Marjorie Baumgarten, Review, Dec. 11, 1992

Solar Crisis

Solar Crisis consists of about a dozen subplots in search of a narrative thread. And if these plots can't find any unifying principle, they'll settle...

Marjorie Baumgarten, Review, Dec. 4, 1992

The Efficiency Expert

During the 1960s in Australia, there were periods of labor unrest due to changes made by various industries to modernize and/or increase profits at the...

Pamela Bruce, Review, Dec. 4, 1992

Once Upon a Time in China

Set in the turbulent world of 19th-century China, University of Texas alumnus Hark has fashioned an epic tale of a country and its people in...

Marc Savlov, Review, Dec. 4, 1992

1991: The Year Punk Broke

The first punk rock tour documentary? Hardly. The early Eighties produced a mini-tsunami of films and videos chronicling the goings-on within the punk scene, on...

Marc Savlov, Review, Dec. 4, 1992

Venice/venice

From Venice, Italy, where independent filmmaker Dean (Jaglom) has his newest work in competition at the Film Festival (and where he meets, romances and loses...

Louis Black, Review, Dec. 4, 1992

The Tune

If nothing else, we can thank MTV for bringing Bill Plympton's outrageous “Plymptoons” series to the twentysomethings of the world. His 15-60-second dollops of water-colored...

Marc Savlov, Review, Nov. 27, 1992

Rampage

If Dirty Harry were a real person who lived and breathed and went to the movies, Rampage might be his cup of poison. Yet odds...

Marjorie Baumgarten, Review, Nov. 27, 1992

Gas Food Lodging

For the three women in Gas Food Lodging relationships with men have been much like an overnight stop on a lonely stretch of highway, except...

Steve Davis, Review, Nov. 27, 1992

Aladdin

The folks at Disney see a new dawn on the horizon. It's the rebirth of the animated feature with a wealth of product from not...

Marjorie Baumgarten, Review, Nov. 27, 1992

The Bodyguard

Rumored to have been rife with personality clashes and other assorted problems during its production, this film emerges as perhaps one of the most unbearable...

Pamela Bruce, Review, Nov. 27, 1992

Home Alone 2: Lost in New York

Remember Home Alone? Remember the part where Kevin gets mad at his family and wishes he didn't have to spend Christmas with them and then...

Hollis Chacona, Review, Nov. 20, 1992

Mistress

Marvin Landisman (Wuhl) was once a “promising,” young writer/director. Now, he's a fortyish, L.A. hack who directs instructional cooking videos for a living. His wife...

Marjorie Baumgarten, Review, Nov. 20, 1992

Malcolm X

Quick. Name at least one major magazine or publication that has not featured on its cover over the last few weeks the faces of either...

Marjorie Baumgarten, Review, Nov. 20, 1992

Waterland

History experienced as the personal instead of an assortment of superficial facts to be regurgitated and forgotten becomes a captivating, haunting journey in a superb...

Pamela Bruce, Review, Nov. 20, 1992

Bram Stoker's Dracula

Coppola's take on the very old story is deliciously fresh. Oldman's Dracula has a stylized, almost hyperreal clarity and a singular weirdness.

Marc Savlov, Review, Nov. 20, 1992

Afraid of the Dark

If Sigmund Freud had directed horror movies they might have looked something like Afraid of the Dark. This British movie uses common childhood fears and...

Marjorie Baumgarten, Review, Nov. 13, 1992

Storyville

This New Orleans concoction of political and personal intrigue turns the burners up to a steady simmer but never really cranks the jets up to...

Marjorie Baumgarten, Review, Nov. 13, 1992

The Living End

Freedom's just another word for nothing left to lose, and for the two HIV-positive men in The Living End, the existence of an unwelcome virus...

Steve Davis, Review, Nov. 13, 1992

Jennifer Eight

The story behind Jennifer 8 is nearly as interesting as the film itself, what with the behind-the-scenes infighting between director Robinson and his producers. Rumored...

Marc Savlov, Review, Nov. 13, 1992

Where the Day Takes You

A labor of love, Where the Day Takes You literally takes to the streets in depicting the lives of homeless teenagers in Hollywood. There's no...

Steve Davis, Review, Nov. 6, 1992

Johnny Suede

Originally produced and performed as a one-man show for The Home for Contemporary Theater in New York City, director DiCillo reshapes his material into a...

Pamela Bruce, Review, Nov. 6, 1992

Deep Blues

Deep Blues is a project that puts the word “document” back in the term documentary. It plunges deep into the Mississippi Delta, down Highway 61,...

Marjorie Baumgarten, Review, Nov. 6, 1992

Dr. Giggles

Who would have thought that a formula horror film about a deranged M.D.'s son with an outlandish penchant for vengeance could be such a hoot?...

Marc Savlov, Review, Oct. 30, 1992

A Brief History of Time

Given what we knew in advance about this acclaimed documentary, its subject Stephen Hawking and its filmmaker Errol Morris, the expectations coming in were nothing...

Marjorie Baumgarten, Review, Oct. 30, 1992

Pure Country

Country music superstar George Strait makes his acting debut in an extended music video held together by a formulaic plot that harkens back to the...

Pamela Bruce, Review, Oct. 30, 1992

Light Sleeper

In the world of Paul Schrader films, if Taxi Driver was Part 1 and American Gigolo Part 2, then Light Sleeper is certainly Part 3....

Marjorie Baumgarten, Review, Oct. 23, 1992

London Kills Me

Screenwriter/novelist Kureishi (My Beautiful Laundrette, Sammy and Rosie Get Laid, and The Buddha of Suburbia) makes his directorial debut in a rambling tableau of the...

Pamela Bruce, Review, Oct. 23, 1992

Candyman

Despite the fact that this is based on a very solid short story by Clive Barker, Britain's more literate answer to Stephen King, Candyman is...

Marc Savlov, Review, Oct. 23, 1992

Consenting Adults

Wife-swapping plotlines always sound as if they'd be better off as part of a Kids in the Hall sketch, but director Pakula has managed to...

Marc Savlov, Review, Oct. 23, 1992

Night and the City

Harry Fabian (De Niro) is a New York City character -- part fool, part hustler. He's an ambulance-chasing shyster with a weasly legal practice that...

Marjorie Baumgarten, Review, Oct. 23, 1992

Of Mice and Men

More a familiar title than one actually read, John Steinbeck's Of Mice and Men is a sophomore English teacher's dream: recognizable symbolism, obvious foreshadowing, and...

Steve Davis, Review, Oct. 23, 1992

The Public Eye

As inspired an idea as it was casting Joe Pesci as the great freelance photographer Weegee, whose brutally realistic tabloid photos of New York City...

Louis Black, Review, Oct. 23, 1992

A River Runs Through it

What compels Robert Redford to make movies from seemingly impossible subject matter? Politics? Self-challenge? Masochism? An affinity for the visual beauty of the written word?...

Hollis Chacona, Review, Oct. 23, 1992

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