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You Ain't Seen Nothing Yet

Where to find the Chronicle's continuing SXSW Film coverage, plus a venue list

Fri., March 9, 2012

You Ain't Seen Nothing Yet

You Ain't Seen Nothing Yet

We've highlighted 16 films from the lineup here and hardly made a dent. Boy, do we have a lot more to say. So what you're going to want to do is this: Follow our continuing SXSW coverage at austinchronicle.com/sxsw and @ChronSXSW; check out our panel recaps and Wednesday film recos in next week's print issue (out a day earlier); and hunt down our reviews and interviews in our three daily issues out Thursday-Saturday in print and online.

Aurasma Cover Instructions

Check out the diagram (right) to learn how to use Aurasma to view the cover!

Film Venues

Alamo Lamar (1120 S. Lamar)

Alamo Ritz (320 E. Sixth)

Canon Screening Room at the Long Center (701 W. Riverside)

Carver Center (1165 Angelina)

Paramount Theatre (713 Congress)

Stateside at the Paramount (719 Congress)

Vimeo Theater at the Austin Convention Center (Second & Trinity)

Violet Crown Cinema (434 W. Second)

SXsatellite Venue: Alamo Slaughter (5701 W. Slaughter)

SXsatellite Venue: Alamo Village (2700 W. Anderson)

    SXSW 2012 FILM

  • You Ain't Seen Nothing Yet

    Where to find the Chronicle's continuing SXSW Film coverage, plus a venue list

    Best Bets for the Badgeless

    You, too, can sample SXSW's wares

    BY KIMBERLEY JONES

    The Scare Game

    Drew Goddard and Joss Whedon on what went wrong with horror and where to go from here

    BY MARC SAVLOV

    Attack of the Cybermen

    Activism empowered by the Internet

    BY MARC SAVLOV

  • The Ballad of Big Star

    A work-in-progress premiere and supergroup performance pay tribute to the cult band

    BY LEAH CHURNER

    Mama Drama

    The comedy in 21st century babymaking

    BY MELANIE HAUPT

    Poker Face

    The life cycle of man as deadpan farce in 'Somebody Up There Likes Me'

    BY JOSH ROSENBLATT

    Joystick Joy

    Two mediums, same ethos at play in 'Indie Game: The Movie'

    BY JAMES RENOVITCH

  • Bruises Easily

    'The Raid' opens a can of whupass

    BY MARC SAVLOV

    Aftershocks

    Finding inspiration in the devastation of the 921 earthquake

    BY JOSH ROSENBLATT

    Art as Acts of Subversion and Immersion

    'The Sheik and I,' 'Trash Dance,' and 'Gregory Crewdson: Brief Encounters'

    The Place Is the Thing

    The influence of geography in a quartet of docs
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