2011 Screens Top 10s

Marc Savlov's Top 10 list

<i>Shame</i>
Shame

1) Melancholia His bizarre outburst at Cannes notwithstanding, von Trier's haunting film triumphs as a gorgeous meditation on depression, the end of the world, and the death of hope.

2) Shame Quoth Woody Allen: "Sex without love is an empty experience, but as empty experiences go, it's one of the best." Not so in this devastating portrait of sex addiction.

<i>Bellflower</i>
Bellflower

3) Martha Marcy May Marlene Disquieting, beautiful, horrific, paranoiac, utterly riveting, and equally difficult to shake, this film continues to revisit my subconscious like an uneasy dream that refuses to dissipate over time.

4) Bellflower This is what it's like to be young and in love on the eve of the end of everything. Visionary beauty and visionary horror walk hand in hand between Medusa and flamethrowers.

5) The Tree of Life A true work of art with a capital A, Malick's film challenges the viewer's perceptions in ways no other film this year dared to attempt.

<i>Take Shelter</i>
Take Shelter

6) Knuckle A bruising, visceral documentary film in every sense. A knockout, a history lesson, and a decidedly risky undertaking for director Ian Palmer.

7) The Last Circus Working on a par with fellow fantasists/surrealists Jodorowsky and del Toro, this bloody, chaotic circus of terrors and delights is Álex de la Iglesia's nightmarish masterpiece.

8) Attack the Block As much a portrait of Grey Britain's disenfranchised youth as it is a horror-comedy of alien invasion, Joe Cornish proves himself a master of the culturally relevant genre film.

<i>I Saw The Devil</i>
I Saw The Devil

9) Take Shelter More unnerving than the daily news – and that's saying something these days – and as artfully constructed as a Chinese puzzle box made entirely of suspicion, fear, and, ultimately, love.

10) The Artist Proof that a film need not bother itself with extraneous dialogue – or dialogue, period – to be a work of subtle comic genius. The perfect antidote to everything else on this list.

NEAR MISSES

Beginners, Midnight in Paris, Hugo, American: The Bill Hicks Story, Senna

MOST OVERRATED

<i>Attack the Block</i>
Attack the Block

Thor, Meek's Cutoff, J. Edgar

MOST UNDERRATED

Winnie the Pooh, I Saw the Devil, Senna

ACTING KUDOS (MALE)

Lemmy (Lemmy), Albert Brooks (Drive), Sam Shepard (Blackthorn), John Boyega (Attack the Block), Michael Fassbender (Shame)

ACTING KUDOS (FEMALE)

<i>The Last Circus</i>
The Last Circus

Rooney Mara (The Girl With the Dragon Tattoo), Glenn Close (Albert Nobbs), Meryl Streep (The Iron Lady), Saoirse Ronan (Hanna), Carey Mulligan (Shame)

BEST DIRECTOR

Woody Allen (Midnight in Paris), Kim Jee-woon (I Saw the Devil), Terrence Malick (The Tree of Life)

BEST SCREENPLAY (ORIGINAL)

Beginners (Mike Mills), 50/50 (Will Reiser), The Last Circus (Álex de la Iglesia)

BEST SCREENPLAY (ADAPTED)

<i>Shame</i>
Shame

Drive (Hossein Amini), We Need To Talk About Kevin (Lynne Ramsay & Rory Kinnear), Hugo (John Logan)

WORST FILM

Insidious. Insipid, inane, insulting, illogical, interminable, imbecilic, inconsistent, and, hey, isn't that Darth Maul playing the organ? Seriously. WTF?!

WILD CARD

Best Thing To Happen to the Bloated Hollywood Studios in Decades: The impending death of the Bloated Hollywood Studios. Viva indie/foreign filmmaking!

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  • > Marc Savlov

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