SXSW Film

• SXSW Film

  Reviews and Interviews

• Barlow the Ubiquitous

  BY CLAY SMITH

• Say My Name

  BY CINDY WIDNER

• Along Came Kinky ... Texas Jewboy for Governor

  BY AMY SMITH

• The Promised Land

  BY KATE X MESSER

• Rats and Cats

  BY KATE X MESSER

• Soul Power

  BY THOMAS FAWCETT

• Zift

  BY MARC SAVLOV

• Garbage Dreams

  BY JOSH ROSENBLATT

• Splinterheads

  BY ANNE HARRIS

• Sorry, Thanks

  BY KRISTINE TOFTE

• Bomber

  BY JAMES RENOVITCH

• It was great, but I was ready to come home.

  BY CINDY WIDNER

• Exterminators

  BY BELINDA ACOSTA

• Exterminators

  BY BELINDA ACOSTA

• Made in China

  BY RICHARD WHITTAKER

• Goodbye Solo

  BY MARJORIE BAUMGARTEN

• Daytime Drinking

  BY CINDY WIDNER

• The Way We Get By

  BY KATE X MESSER

• Sons of a Gun

  BY KRISTINE TOFTE

Sorry, Thanks

It's great to see that Wiley Wiggins is still getting work after his debut role as freshman Mitch Kramer in Dazed and Confused, although, 16 years later, he still hasn't shed his baby-face looks. In Sorry, Thanks, he plays Max, the "already in a relationship" side of an affair with Kira (newcomer Miles). Sokol's feature directorial debut follows the lives of Kira and Max, both thirtysomethings with a lot to still figure out about life. Kira is recovering from her recent breakup of a seven-year relationship while trying to win a job she's overqualified for, as well as find her way in the world of dating – a place she has never dabbled in. And there's Max, who can't decide between Sara, the girl he has loved for the past three years, and the one-night stand that ironically and unintentionally keeps showing its face: at the bar, the movie theatre, parties, etc. Max and Kira's conversations are as awkward as any blind date, seemingly more real-life than scripted, making Sorry, Thanks an intimate, engrossing watch.

Thursday, March 19, 9pm, Alamo South Lamar