Escape From New York (Special Edition)

Subsequent to both The Warriors and Mad Max, yet predating Blade Runner by a year, Escape From New York laid the groundwork for John Carpenter and Kurt Russell's ensuing masterpiece, 1982's The Thing

DVD Watch

Escape From New York (Special Edition)

MGM DVD, $29.99

Stabler and Plissken: two of the three Snakes history will remember. With his rock star mane and 3am scruff, black eye-patch, and smirk, Snake Plissken (Kurt Russell) could well have been modeled after Oakland Raiders legend Kenny "the Snake" Stabler. Instead, Escape From New York co-star Lee Van Cleef brought to mind another antihero: Clint Eastwood. In a director's commentary left over from the 1994 laser disc release, John Carpenter and Russell acknowledge their debt of inspiration to the Sergio Leone veteran's casting as government heavy in this low-budget, sci-fi cult classic from 1981. Producer Debra Hill and production designer Joe Alves, in a second, more recent commentary (2001, pre-9/11), draw the parallel to Russell's send-up of John Wayne in Carpenter's hilarious Big Trouble in Little China, theorizing that both films are essentially Westerns. Subsequent to both The Warriors and Mad Max, yet predating Blade Runner by a year, Escape From New York, set in crime-infested 1997 when Manhattan island has become a walled federal prison, dispatches its squinty, tight-lipped gunslinger to save the president (a wonderfully buffoonish Donald Pleasence) from the baddies (Harry Dean Stanton, Adrienne Barbeau, Isaac Hayes) and "Cabbie" (Ernest Borgnine). Laying the groundwork for Carpenter and Russell's ensuing masterpiece, 1982's The Thing, the outcome is predictably comic book. A $6.5 million budget fed the film's scrappy tone, the production saved by St. Louis' fire-ravaged waterfront doubling for downtown NYC; one of Escape's matte painters, James Cameron, obviously siphoned off no small amount of stimulus for his own low-budget cult favorite. Like The Terminator, Carpenter borrows liberally from his own debut, Assault on Precinct 13, the result equally dated thanks mostly to the cars. Nevertheless, this two-disc special edition, which includes the wisely excised opening bank robbery sequence, is worth the upgrade if only to hear Carpenter reference one of Russell's Disney immortals, 1969's The Computer Wore Tennis Shoes.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Screens Reviews
American Fiction, American Reality
American Fiction, American Reality
Cord Jefferson is putting the Black middle class back on the screen

Richard Whittaker, Dec. 15, 2023

2023 Oscar-Nominated Shorts: The Best of the Brief
2023 Oscar-Nominated Shorts: The Best of the Brief
Before the Academy votes, we pick our faves from the nominees

The Screens Staff, Feb. 17, 2023

More by Raoul Hernandez
Geto Gala, Two Step Inn, and a 420 Smokeout Headline Our Crucial Concerts
Geto Gala, Two Step Inn, and a 420 Smokeout Headline Our Crucial Concerts
From country to hip-hop to sludge metal, get some ideas for your week in live music

April 19, 2024

Mini Music Fests Abound in This Week's Crucial Concerts
Mini Music Fests Abound in This Week's Crucial Concerts
Country, hip-hop, pop, and more shows worth the cover

April 12, 2024

KEYWORDS FOR THIS STORY

Escape From New York (Special Edition), John Carpenter, Kurt Russell

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle