Fiona Apple

Photo by Todd V. Wolfson

• Live Shots

  SXSW Showcase Reviews

• Fiona Apple

  BY CHASE HOFFBERGER

• Charli XCX

  BY LUKE WINKIE

• Robert Glasper Experiment

  BY DAN OKO

• Bambarabanda

  BY GREG BEETS

• Lee Fields & the Expressions

  BY THOMAS FAWCETT

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• The Grammy Museum's Woody Guthrie Centennial Tribute

  BY KEVIN CURTIN

• Big Star 'Third' Concert

  BY ADAM SCHRAGIN

• The Little Willies/Punch Brothers

  BY DOUG FREEMAN

• The Shins

  BY MELANIE HAUPT

• Palomar

  BY MICHAEL BERTIN

• Bruce Springsteen

  BY AUSTIN POWELL

Fiona Apple

If Wednesday's showcase at Stubb's was Fiona Apple's way of reigniting her immutable torment, last night's affair proved her queen of all nuance. Playing to a mostly hushed crowd inside the Central Presbyterian Church, Apple stuck to the same script as Wednesday's, ushering three new songs ("Anything We Want," "Valentine," and "Every Single Night") into a set that danced its way from "Fast as You Can" to "On the Bound," flirted through "Paper Bag" and "Extraordinary Machine," and shook violently upon "A Mistake" and "Criminal." The thrill lay in the reclusive star's subtle flair. Apple brought "Fast as You Can" to a near halt before singing, "Sometimes my mind don't shake and shift," then quivered in an irregular falsetto on the last "I'll be your girl if you say it's a gift." She knocked her head from left to right, making her voice only partially audible at the end of "A Mistake," and whispered her way through parts of "Criminal" before coming back maddened with her hands clutched to her chest on the hook. "I've been a bad, bad girl," she sang breathy and low, like the wounds were still fresh – like 16 years ago was only yesterday.