The Chitlin' Circuit and the Road to Rock 'n' Roll

Sheet Music

Texas Platters

The Chitlin' Circuit and the Road to Rock 'n' Roll

by Preston Lauterbach
W.W. Norton & Company, 338 pp., $26.95

Preston Lauterbach isn't the first writer to trace the fabled road of the so-called chitlin' circuit. Its lure began as far back as the 1920s, but what makes this book important is how its author stitches together the loose string of black clubs dotting mostly the American South and ties them to the rise of rock & roll. With his debut book, Lauterbach does this primarily through two black men he credits with paving the performing circuit, Denver D. Ferguson and Walter Barnes. Lauterbach deems Ferguson "the granddaddy of rock 'n' roll" and in doing so makes a compelling case for the little-known show promoter/agent's new title, citing full service promotion campaigns that included cultivating barbershops, the 1940s equivalent of street teams, and collecting phone books, which is how he developed a network of clubs. Barnes' triple threat came as performer, promoter, and press, all in one. Between the two, they mapped pre-Interstate America and laid the grid for decades of touring acts. Austin rightfully claims its place on the chitlin' circuit with the Victory Grill and long-gone venues, but it was only a blip compared to San Antonio's Keyhole Club, overseen by Houston's Don Robey, who booked his Texas and Louisiana venues in with Ferguson's. (Chitlin' circuit guitarist Curley Mays still performs around San Antonio.) Lauterbach includes vivid portraits of crucial but marginalized performers including Wynonie Harris, Roy Brown, Amos Milburn, Jimmie Lunceford, and Gatemouth Brown, and redraws unforgettable landscapes in the urban areas of Houston, Memphis, Chicago, Philadelphia, Atlanta, and digs down deep in the weeds of Port Arthur, Texas; Macon, Ga.; and Ferriday, La.; amid piles of cash, sex, racketeering, and scrapes with the law. In doing so, Chitlin' Circuit creates blood-and-sweat images of music shaped by geography, talent, vision, and, occasionally, deals with the devil. (Author Preston Lauterbach appears at the Texas Book Festival Saturday, Oct. 22, 2pm, at the state Capitol.)

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Chitlin' Circuit
Juke Joint Blues
Juke Joint Blues
Blues Boy Hubbard remembers Austin's Chitlin' Circuit

Jonny Meyers, July 13, 2007

More Music Reviews
Paper Cuts: No Desire's Agile Debut and Five More Songs
Paper Cuts
New Austin music picks from francene rouelle, variety

Carys Anderson, Jan. 26, 2024

A Saucy, Seven-Course Musical at Boggy Creek Farm
A Saucy, Seven-Course Musical at Boggy Creek Farm
Jade Fusco’s activist interactive recruited members of Ley Line, BluMoon, and more

Carys Anderson, Nov. 24, 2023

More by Margaret Moser
Did I Know Bruce Springsteen Was Going to Play 2012?
Did I Know Bruce Springsteen Was Going to Play 2012?

March 3, 2017

Adult Audio Coloring Book Sampler
Adult Audio Coloring Book Sampler
A look back at illustrated album covers old and new

July 29, 2016

KEYWORDS FOR THIS STORY

Chitlin' Circuit, Victory Grill

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle