Alcorn/Chadbourne, Dr. Eugene Chadbourne

Texas Platters

Phases and Stages

Alcorn/Chadbourne

An Afternoon in Austin (Boxholder)

Dr. Eugene Chadbourne

Texas Sessions: Chapter Two (Boxholder) Words like "experimental" and "eccentric" have long defined multi-instrumentalist/singer Eugene Chadbourne. The North Carolina-based former Shockabilly frontman has also played with John Zorn, Fred Frith, Henry Kaiser, Elliott Sharp, and Camper Van Beethoven, and with that pedigree, one expects good things from the good doctor. An Afternoon in Austin finds Chadbourne collaborating on country covers and originals with Houston steel guitarist Susan Alcorn, all taped one afternoon in an Austin living room. Opener "How I Love Them Old Songs" is a good start, and Loretta Lynn's "I Got Caught" is another standout. But Merle Haggard's "If We Make It Through December" and A.P. Carter's "Hello Stranger" are given the same treatment: a loose intro, followed by several minutes of spaced-out improvisation. "Sugene (Improvisation #2)" and "Albourne (Improvisation #1)" never rise above abstract noisemaking. Texas Sessions: Chapter Two is a tribute to the venerable Doug Sahm. Along with Alcorn, it features local harp king Walter Daniels and Sahm rhythm section Ernie Durawa and Speedy Sparks. On Sahm's "Can't Go Back to Austin," Durawa and Sparks display the vigor and elastic interplay that made Sir Doug's band so fine. Yet Chadbourne's singing leaves a bit to be desired on Sahm's "Old Habits Die Hard" and Muddy Water's "I'm Ready." To Chadbourne's credit, these two outings are simple, low-budget affairs, taped during one weekend -- both an asset and limitation. Emotions emitted during performance shine, but the DIY nature of these projects reinforces the demo tentativeness of the weaker songs. Combining the best parts of each release would have been a better strategy.

(Both) **

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Texas Platters
Spray Paint
Into the Country (Record Review)

Raoul Hernandez, Dec. 13, 2019

Texas Platters
Graham Reynolds
Marfa: A Country & Western Big Band Suite (Record Review)

Rick Weaver, Nov. 22, 2019

More by David Lynch
Rock & Roll Summer Reading
How Can I Keep From Singing?: The Ballad of Pete Seeger

May 30, 2008

Texas Platters
That Damned Band
999 Surreal Eyes (Record Review)

Feb. 15, 2008

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle