Dancing About Architecture
Hey, Buddy! Ya Got a Light?
Fri., Nov. 24, 1995
Deluxe of de Draw
It'll be an "all-out battle," December 8 at Emo's when the Fuck Emos and
Sixteen Deluxe play together there and try to settle their long-time grudge
(mutual distaste, from what I can figure), according to one member of the
latter band. Also in the near future for the 16ers, look for two new singles:
one with their version of Kim Wilde's "Kids in America" on Propeller Records,
and the other a split single with Medicine on Misha, a subsidiary of No Life
(not to be confused with No Lie) Records. Also, there's talk of a possible tour
with X, including a New Year's Eve show at the Hollywood Palladium. Now how long has it been since I mentioned former Deluxe drummer Bryan Bowden? Well, that's too long. A member of the back-from-touring Wannabes recounted to me a recent harrowing ride across the Brooklyn Bridge with Bowden (barely) at the wheel. When they reached their destination, a cool neighborhood bar that he wanted to show off to them, Bowden pointed out Jon Spencer of Blues Explosion fame and told the 'bes that he'd introduce them to him, but Spencer spotted him first and performed the standard, "Uh, hi, Bryan" mumble and backing away movement that is now becoming practically a cliché in the Big Apple.
All That Jazz
In other jazz news, a press release that counts itself as equal parts "notice
of our suspension of operations" and "plea for support," from the DiverseArts
Production Group -- presenters of the Clarksville-West End Jazz Festival, Blues
Family Tree Project, Women in Jazz Concert Series, etc. -- has announced
suspension of its operations. If you've followed the long French Smith serial
running in Dancing About Architecture over the course of the last few
months (Soon to be a major motion picture written by Bill Crawford and directed
by Robert Rodriguez!) you know that last year's Jazz Fest lost money, with
Diverse Arts' Harold McMillan pointing to Smith's concurrent Cajun Fest as a
major reason behind the loss. Well, Music Commission head Smith is now
former music commission head Smith, but unsuccessful fundraising
projects and DiverseArts' impending eviction from their home-base at the Wooten
Building (due to renovation plans) have forced a temporary interruption of the
production group's day-to-day operations. Still, the group insist, "We do not
expect the interruption to be permanent," and that plans call for the above
mentioned events, including a "down-sized" Clarksville fest, to take place as
usual in 1996, with a Blues Family Tree CD set for release on Antone's Records
as well. (Then again, I continue to hear that Antone's Records may not be
around for much longer, either...)
Back Rumors
Trust me, I've been sparing you a lot of the endless conflicting rumors that
have been flying regarding the future of the Back Room. There are some actual
facts available regarding the club, however, so here's the latest
installment of the BR saga: Manager Mark Olivarez, after telling me last week
that he would be sharing booking responsibilities with owner Ronnie Roark, has
now quit that part of the business altogether, leaving Roark to book all the
club's shows. There's also talk of remodeling the stage-side part of the bar
and pool hall venue and between the two changes, we'll have to wait and see how
the transition goes.
I'm So S'orry
Terence Trent D'arby was in the full prima donna form reserved for those who
put apostrophes in the middle of their names when he came to Liberty Lunch last
week, I hear. First, he balked at doing any advance press work for the show,
and then extended his uncooperative nature to the club itself. The Sixties
cover tune king (What? You mean those songs are originals?) at one point
demanded that no alcohol be served at the show and at the same time threw a
hissy fit (actually his tour manager threw it for him) when he found
that the club couldn't legally supply him with the expensive booze that he
wanted in his limo (TABC, for once I like you). The show apparently went off
just fine, though, with a large number of industry/press types in attendance.
My guess is that they were hoping to witness D'Arby pulling an I'm-a-Big-Star
move.
Ohms' Hopping Network
I haven't been to Ohms in probably a couple of years, since witnessing an
incredibly lame S/M show there (later, a friend of mine tried to liven things up at one of the shows by slicing himself up a bit and was told "Hey! Cut that out! You can't do that here!"), but you can bet you'll see me there this coming Monday. That's when the Emergency Broadcast Network will be bringing their multimedia extravaganza to that venue. Imagine Negativland with pictures, or all the televisions in the world playing directly into your brain at once, and you get the idea behind EBN. Complete with revolving, laser-spouting telepodium, beaty rave and hip-hop-style music, a satellite dish-
turned-TV screen mounted on their all-purpose vehicle, and actual video "scratching" performed live during the show, EBN take entertainment to its farthest logical progression for a short-attention-span, instant gratification-oriented society. Not to mention they guarantee video "appearances" by the likes of William Shatner (the one true god of overactors) and Dan Rather, who I try to mention in this column every damn week.