Dancing About Architecture
I'm bracing myself as I type this, preparing to head for what Steven
Wright (as "K-Billy" in Reservoir Dogs) would call a "bowhemoth" -
that monster in a meadow called Lollapalooza. There's good reason for my
apprehension, besides the fact that this'll be my first time at the big Loll
(well, who wanted to drive to Dallas?!), as Ms. Courtney Love
apparently wasn't capable of lasting even a couple of hours in Austin
before getting in the middle of a ruckus: At Monday night's "secret" L-7
show at Emo's (where the band announced they weren't really L-7 or even the
infamous Camel Lips, but actually an L-7 cover act called K-9)
Courtney's inner beast was kept reigned in until the band had left the stage.
At that point, however, Love joined Jennifer Finch, Hole drummer
Patti Schemel, and bandmates on the sidewalk for a chat (Finch's father
passed away a couple of days before, and old friend Love was apparently seeing
if she was doing okay). When rubberneckers began to cluster, Love ended up
jumping up and growling at a group of young men who were staring at her, then
started swinging her purse to get everyone to "spread out." One witness says
she managed to (unintentionally?) smack one person across the face with her
purse, but unlike the recent Bikini Kill incident, the smackee appeared
to be amused and happy to have a story to tell his friends. Chronicle
writer Jason Cohen, who had reportedly been on Love's shit list over
his recent Rolling Stone piece on Hole, was in attendance at the show
but kept a low profile, despite the best efforts of other members of the
Chron staff to shove him into a Love fest (or is that fist?). Love
didn't get much shut-eye in her Sheraton digs, either, judging from the
numerous Austin-datelined posts in her America Online Hole folder, and she
showed it the next day at the oh-so-exclusive (but hardly interesting) private
pre-palooza party, where Cohen managed to briefly turn her semi-serious wrath
my way ("He's the one who wrote that you wanted to punch me!") before her
friends urged her out the door. The last I saw of her, she was surrounded by a
flock of shrieking drag queens, who we all know aren't shy about getting in
anybody's face. Meanwhile, on the non-Holapalooza front, Elastica
have parted ways with their bass player (due to "secret reasons" according
to one of Love's posts) and spent the early part of the week in the Austin
Rehearsal Complex working with Beck's bassist, who will take over for
the remainder of the tour. As I write this, it looks like they won't be ready
to play the Austin show, however (Moby is the scheduled replacement).
That means tears for Tim Stegall (rumors claim he had sex with
Sinead [shudder!] just to get Elastica on the bill). Well, at least I
got to hang out with Elastica's Justine Frischmann, who, like Love,
repeatedly displayed "plumber's crack" throughout the evening. Also,
while sitting around and drinking Pavement's tequila, I got to see
Frischmann dis Brent Grulke's huge record/CD collection for not having
"the basics," which turned out to apparently mean the complete works of
Wire.
Mercury Curlywolf
One person who wasn't at the Emo's bash was Rob Bernard of
Prescott Curlywolf, who had been turned away by the Lollapalooza door
goons. Instead, he found himself at the Electric Lounge leading a charge
against the bass player for the Muffs, who had decided that he didn't
like the club's neon "Electric" sign (which took Best Sign in our last issue,
by the way) and that the punk thing to do would be to smash it to bits with his
bass, which he proceeded to do. (E-Lounge co-owner Mark Shuman says the
band's management agreed to pay for repairs, and the long Muff/Bernard
confrontation ended in a hug.) The next morning, Bernard tended to a less
physically strenuous but no less mentally draining task - meeting with his
bandmates to sign a deal with Mercury Records. Afterwards, a weary Rob left me
the following voice-mail confirmation: "We only just now signed this
motherfucker, and fucking Jerry Garcia died, and now we're going to
Lollapalooza, so it's been a fucking full day already." Sources close to the
band add that Prescott are set to record their Mercury debut in Austin in
October and will likely be mixing it in L.A.
Ticket Wars Continue
The battle on scalpers and counterfeiters escalated this week when Liberty
Lunch pulled all Alanis Morissette advance tickets from stores. They got
a call from Waterloo Records saying that a scalper was lining up homeless
people to buy the $8 tix and jack up the prices, and the club, store, and
Morissette all agreed that this defeated the whole purpose of her playing for a
reasonably low ticket price. The club plans to sell tickets at the door for $9,
with no decision made yet on whether advance sales will be handled another way.
More Video, More Music
The city council made it official last Thursday; they've voted in a request to
Austin CableVision to expand the Austin Music Network (Cable 15, broadcast 9)
to a 24-hour operation. The station will first expand its hours to 8pm-2am
weekdays, 8pm-4am weekends, then work its way up to full-time status. Country
Music Television, for you shitkickers and line-dancers out there, will also
most likely end up once again with its own 24-hour channel, elsewhere on the
dial.
Another Radio Station?!?
Yep, you can add one more radio station to the Austin airwaves this week.
Fortunately, though, Sam Hill Radio won't be broadcasting any big contests,
blowhard talk show hosts, or claims of being cutting edge while playing the
same five songs over and over. Nope, the folks at the Sam Hill Waterfront
Grill, working with Atlantic Records and the Ross Agency, Inc., just got a bee
in their bonnet to start up a low-power station at the restaurant and they're
going on the air with it this Friday. The short-range station, located at
89.9FM, should be audible to those boating and otherwise enjoying the Lake
Travis, and best of all, they'll broadcast live concerts from the Grill on
Thursdays through Sundays, so any exhibitionists with tendencies towards aural
voyeurism can hang around Hippie Hollow and listen in.
Mixed Notes
Okay, the Austin Outhouse has gotten yet another reprieve, and won't be
closing until the end of September. This time, they say "we're definitely gonna
be out then." There's still no word on a new location. Are there any bands out
there who haven't played a 'house farewell show yet? Better book it now...
Let's see, Swim's first gig was at Lollapalooza, their second is at
Paul Minor's Free-For-All. Makes you wonder where their third gig will
be, doesn't it? Well you can add the group (current and former members of
Stoic Chinese Waiters, Room By River, and Jon Geiger Band)
to the list of Austin acts invited to play New Orleans' Cutting Edge Music
Festival at the beginning of September. Others include Brown Hornet,
Wheeler, Susan Colton, Black Pearl, Will Tyler, Liquid Mice, Teddy D.,
Mumbleskinny, Dan Gato, Bill Harvey, Carol Howell, Panic Choir, Seeds of Soul,
Sidehackers, Spoon, and Sunflower... The omnipresent Sincola
say that they've "all but sold" a good chunk of their signature song "Bitch" to
the makers of Basic Instinct, to be used in their controversial upcoming
skin flick Showgirls. Sounds like an appropriate ditty for the film...
You just can't keep Louis Jay Meyers out of Austin music. The former
SXSW co-director has boogied on over to Antone's (the club) and Antone's (the
record company). He'll be in charge of booking at the former and artist
development at the latter. Maybe Meyers should also be put in charge of
procuring new letters for their sign, or maybe giving the rest of the staff
spelling lessons, it seems to me. Or is "Derik O'Brine" trying to stay out of
trouble by going under an assumed name?... Look for the next batch of albums
from Dejadisc in about a month. The buzz is already hot on Wayne
Hancock's drumless disc, according to those with coveted advance copies.
Also up is a reissue of Sarah Elizabeth Campbell's A Little
Tenderness and the Wannabes' second CD, entitled Pop Sucker,
which encompasses in its 19 tracks everything from lost basement tapes to
"Aquadance," a theme written "in case there's ever an Aquaman movie."
All three hit the record racks on September 17... Speaking of cartoon heroes,
former Public Bulletin/Hey Zeus/Black Irish bassist Rob Thomas
has a new career as a ghost writer. That's right; following a stint in
children's television, Thomas is currently writing material for the Cartoon
Network's Space Ghost Coast to Coast series (And you thought that show
didn't have writers!). Thomas' first writing credit accompanies the
addle-pated superhero's interview with ex-Python Terry Jones and Glen
Phillips of Toad the Wet Sprocket with a planned Sept. 8 airdate
that's still subject to change. An episode featuring General Public, the
Smithereens, and Bill Carter's buddy Brian Setzer is next
in the works. Thomas says he's toying with the idea of a coolness-impaired
Space Ghost trying to put on his own version of Live Aid... It's been brought
to my attention that there's another good reason that Dan Rather
was seen at a recent Monte Warden show: Guitarist Dave Murray,
I'm told, has been dating Rather's daughter... I'm hearing good word on the
upcoming album from the Dangerous Toys. I hear it has a "prince" of a
cover, as well... Kathy Murray & the Kilowatts have a new single out
on San Antonio label Atomic Jukebox Records. The two tracks were recorded live
last year at Gulf Coast juke joint King Bee's Blues Crib... Ted Roddy's
Hightone debut comes out on the 15th, one day before the big Annual Elvis
Memorial Tribute at the Continental Club (see "Recommendeds"). Among the myriad
players on the album, entitled Full Circle, are Lloyd Maines,
Stephen Bruton, and Champ Hood. The disc features no Elvis
Presley songs (although old El was pretty close to a full circle when he
died)... Next Tuesday's Christmas in August show at the Electric Lounge is also
a live recording for 101X-mas, a holiday compilation CD from the new
music radio station. The disc will feature both local and national acts, and if
they get half the bands they're talking to, it should be a real snow-stopper...
AIDS Services of Austin and the Helping Hands Food Pantry are having a Reggae
Roadblock Festival at Aussie's this Saturday, with the Twinkle Bros., Della
Grant, and the Pacesetters Band... So, MTV, in their pursuit of the
lost bands of the Eighties, discovered among other things that one of the
Men at Work guys is now a lounge musician. It's too bad for Gilligan's
that they didn't pursue the careers of the members of Duke ("This Is
Japan") Jupiter... Word is out that Pearl Jam's opening act on
their "make-up" tour is the Ramones, but I don't have time to confirm
that - I am outta here and Lolla bound!