Bonus Tracks
Fri., May 12, 1995
SOLITUDE AETURNUS
Through the Darkest Hour (Pavement)
Take Dee Snyder loaded on painkillers and Prozac, add some
doomy,
Sabbath-like guitar arrangements, mix it all up with a healthy helping
of
sinister, Slayer death-rage, and you would have a pretty good idea of
what the
Houston-based band Solitude Aeturnus' new album feels like - one
of the longest, most depressing, and yes, darkest hours of your entire
life.
- Chris Marsh
FRED HAMILTON
Looking Back on Tomorrow (Wolf Tales)
For the most part, these are tasteful jazz ballads featuring
guitar
tones reminiscent of early Stanley Jordan. All instrumentals, they have
a
tendency to sound the same. They are broken up by the occasional
adrenaline-pumping, Satriani-esque exploration. These have less charm
than the
ballads, but everything here displays a range of talent and emotion
worthy of
more than one listen.- Doug Jenks
SHANE CANNEDY
Tapioca (Chocolate)
Shane Cannedy's musical personae all seem to be folks lost
on different
stretches of the same road to despair, from the world-weary smartass
who sings
"You Can Go if You Want" to the heartbreaking resignation of the
speaker in
"Take This Stone." Which isn't to say that this isn't pretty funny
stuff in
places, because it is; it's also tuneful, original, and well-performed. - Lee Moore
JIM STRICKLAN
Elysian Fields (Skinny Man)
Stricklan gently wanders the leas of folk, country, and blues,
singing
songs of saccharine love, big-sky nature, and restless travel with a
voice
resonating of Jennings and Fromholz. That and familiar hooks and riffs
can wear
thin fast. But "Holly" and "Do Some Good"are notable efforts,
and the
entire CD benefits from fine production and tasteful instrumental
accompaniment, particularly the strings. - Stephen McGuire
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