Devendra Banhart

Record review

Phases & Stages

Devendra Banhart

Cripple Crow (XL)

Critics love attaching the "freak-folk" label to everything Devendra Banhart does, and while that label may have applied to last year's fantastical Rejoicing in the Hands, the nomadic 24-year-old Texas-born singer/guitarist eschews that label here in favor of the more loving embrace of "The Family." Visions of Charles Manson may still dance in your head, but on Cripple Crow, his fourth full-length, Banhart's gaze is fixed on a worldly opponent, incorporating Latin and Native American genres into a solid musical cadre. Helping out is a close-knit group of musicians with whom Banhart has collaborated in the past (Joanna Newsom, Andy Cabic of Vetiver), as well as sundry other kindred spirits. It's a more mature sound, as heard on the jazzy "Some People Ride the Wave," the Southern stomp of "I Feel Just Like a Child," and the Neil Youngism of "Hey Mama Wolf." "Heard Somebody Say" floats along like a modern-day protest song, making "It's simple, we don't want to kill" sound like religion. His obsession with all things childlike gets hilariously creepy on the doo-wap "Little Boys" ("I may not look it, but my heart is young"), but it all feels so right. Aww, our little freak is all grown up. (Devendra Banhart plays Emo's Monday, Oct. 10.)

****

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Audra Schroeder
SXSW Interactive Conference Quick Cuts
The Signal & the Noise
Statistician Nate Silver on more data, more problems

March 15, 2013

SXSW Film
SXSW Film Reviews: 'Kiss of the Damned'
Daily Reviews and Interviews

March 15, 2013

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle