Patty Griffin

Patty Griffin
by Jana Birchum

Patty Griffin

The Castle, Friday, March 15

It was the kind of record label party that doesn't happen very often these days. Open bar, barbecue from Lamberts, a goody bag, and appearances by labelmates Steve Earle, Buddy Miller & Jim Lauderdale, and the Mastersons in a mission-styled church from the Twenties elaborately furnished into a unique residence/reception space in South Austin. All to announce that Austin's Patty Griffin has signed to New West and has a new disc due May 7, American Kid. Griffin played 30 minutes of new songs and first blush showed off as diverse a collection of songs as she's ever released. She began with a briskly strummed stomp, "Don't Let Me in Florida," after which she explained, "I'm so nervous that I left out a verse to that." Then she announced that March 16 is her 49th birthday, offering another reason to celebrate. The songs on American Kid were conceived on the highways between Nashville and Austin, Griffin noted before playing a poignant story about a loose dog she saw on one of those roads, "Wild Old Dog." There was a song about her grandparents that was old-timey and bawdy, but she wrapped it up tenderly, as she does on the record, with torchy ballad "Gonna Miss You When You're Gone."

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
Thursday Interview
Thursday Interview

Nina Hernandez, March 20, 2015

Thursday Picks & Sleepers
Thursday Picks & Sleepers
SXSW Thursday handicapping by the blurb

March 20, 2015

More Music Reviews
Review: Johanna Heilman, <i>When We Were Electric</i>
Review: Johanna Heilman, When We Were Electric
When We Were Electric (Record Review)

Doug Freeman, June 30, 2023

Review: Large Brush Collection & Creekbed Carter Hogan, <i>Split</i>
Review: Large Brush Collection & Creekbed Carter Hogan, Split
Tape of tender lullabies envisions a warm refuge for queer people

Wayne Lim, May 12, 2023

More by Jim Caligiuri
Carrie Elkin’s Life-and-Death Folk
Carrie Elkin’s Life-and-Death Folk
Her father's death and daughter's birth upped the stakes of the singer's finest work

April 14, 2017

SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
Soft Boys, Youngbloods, Moby Grape, Brian Jones’ grandson, etc.

March 18, 2017

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle