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7,573 results:

American Violet (2008, 103 min., PG-13)

This moving message film tells a story about a miscarriage of Texas justice.

American Wedding (2003, 95 min., R)

Jesse Dylan’s first feature was the ganja-infused comedy How High, which, while not exactly a high-bongwater mark in the annals of stoner merriment, managed to keep my dog fixated on the TV screen the other day, ...

The American (2010, 105 min., R)

George Clooney stars in this thoughtful thriller from the director of Control, the biopic about Joy Division's Ian Curtis.

America's Heart & Soul (2004, 88 min., PG)

Inspirational documentary is about Americans with true grit working in a land where seldom is heard a discouraging word.

Amira & Sam (2015, 90 min., NR)

Cross-cultural love between a U.S. soldier and an Iraqi girl flourishes in the Big Apple.

Amistad (1997, 155 min., R)

Amistad is a disappointment if the standard for judging Steven Spielberg's new film is the state of mute, stumbling devastation that Schindler's List inspired in its viewers. The story it recounts, an 1839 slave rebellion aboard ...

The Amityville Horror (2005, 89 min., R)

A dream home on Long Island is not all it's cracked up to be: The family inside sees dead people.

Amores Perros (2000, 153 min., R)

Three stories about beast and man.

Amos & Andrew (1993, 96 min., PG-13)

Amos & Andrew is a better-than-average comedy that's likable enough while unfolding but evaporative when over. It takes a topical subject -- racial prejudice -- and combines it with a familiar narrative strategy -- mistaken identity ...

Amour (2013, 127 min., PG-13)

Death is part of love’s bargain, a fact filmmaker Michael Haneke lays bare.

Amreeka (2009, 96 min., PG-13)

In this delightfully human and sweetly comic ode to the contemporary immigrant experience in a post-9/11 “Amreeka,” a Palestinian mother and son create a world of possibilities.

Amy (2015, 128 min., R)

Doc about the life of Amy Winehouse is revelatory, amusing, and deeply devastating

Amy's Orgasm (2001, 85 min., NR)

She's a “feminist icon” with a best-selling self-help manual and hordes of Ellen Jamesian-like fans who wear baby-Ts emblazoned with slogans proclaiming their independence from men. So why is Amy Mandell (Davis) strangely attracted to Matthew ...

An American Rhapsody (2001, 106 min., PG-13)

An American Rhapsody has many things to recommend it. Among them are its non-exploitative glimpse at the immigrant experience as seen through the eyes of a teenage girl, its sober take on the issues of mother-daughter ...

An American Tail: Fievel Goes West (1991, 75 min., G)

Produced by Steven Spielberg, this animated film follows the further adventures of the Mousekewitz family, who came to America to escape the cat pogroms.

An American Werewolf in Paris (1997, 98 min., R)

In horror terms, 16 years is a dang nigh unprecedented span between an original movie and a sequel. There must have been--what? -- seven or eight Friday the 13th sequels in less than half that time. ...

An Angel at My Table (1990, 158 min., R)

On the surface An Angel at My Table is a straightforward biopic about the life of celebrated New Zealand author Janet Frame. But Frame's life story is anything but your typical "portrait of the artist." Then ...

Anaconda (1997, 89 min., PG-13)

The best giant snake film of 1997! Okay, okay, the only giant snake film of 1997. Which makes it the best, right? Well… yeah, in a way. Truth be told, Anaconda is a numbingly pedestrian affair, ...

Anacondas: The Hunt for the Blood Orchid (2004, 93 min., PG-13)

A Hollywood vessel of doom hunts for the Big Squeeze.

Analyze That (2002, 100 min., R)

This obviously titled sequel to 1999's mobster-in-therapy comedy may have seemed like a sure thing during the initial round of production meetings but director Ramis and company forgot to take into account one important fact -- ...

Analyze This (1999, 103 min., R)

You don't need a psychology degree to catch all the Freudian subcurrents in Hollywood gangster flicks. All those gun barrels getting stuffed down men's throats, all those big cigars, all that Oedipal conniving to knock off ...

Anastasia (1997, 94 min., G)

A teen searches for belonging and unconditional love in this animated film set against the sanitized background of the Russian Revolution.

Anchoress (1993, 106 min.)

Striking visuals and a theme that transcends its 14th-century setting mark Chris Newby's debut film Anchoress. The film's screenplay is loosely based on two letters from the late 1300s that tell the story of a young ...

Anchorman 2: The Legend Continues (2013, 118 min., PG-13)

Ron Burgundy is back – and the legend continues, at least in his own mind.

Anchorman: The Legend of Ron Burgundy (2004, 91 min., PG-13)

Will Ferrell's Anchorman needs more work behind the scenes.

… And God Spoke (the making of …) (1993, 83 min., NR)

A mock documentary about a producer and director of exploitation flicks who try to do a class adaptation of the Bible. Borman's behind-the-scenes spoof might be said to show the un-making of the film ...And God ...

And Now ... Ladies and Gentlemen (2003, 126 min., PG-13)

Claude Lelouch’s new movie starring Jeremy Irons is a cat-burgler story set in sunny, faraway locales.

And So It Goes (2014, 94 min., PG-13)

Diane Keaton and Michael Douglas are ill-served by director by Rob Reiner in this odd-couple romance.

Andre (1994, 94 min., PG)

Tell me that you've never harbored the desire to hug a seal and feel the swoosh of a sleek, sinuous sea flapper sliding through your arms- and I'll tell you that, under no circumstances, should you ...

Andrew Lloyd Webber's The Phantom of the Opera (2004, 143 min., PG-13)

The plodding stage musical finally comes to the big screen, its relentlessly bombastic score intact with a vengeance.

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