Film Review Archives
Alex Cross (2012, 101 min., PG-13)
Stretching out of his Madea comfort zone to play James Patterson's FBI profiler is a courageous but misguided move on Tyler Perry’s part.
Alexander (2004, 173 min., R)
Oliver Stone has achieved the impossible: He's made the life of Alexander the Great seem boring.
This pleasant throwback to the live-action Disney films of yore provides brisk fun for all.
Alfie (2004, 103 min., R)
Jude Law's new Alfie is less tramp and more scamp: the modern metrosexual.
Ali (2001, 158 min., R)
Mann's film, which has some terrific moments, hits the highlights only. Will Smith, layered in subtle facial prosthetics in order to resemble Ali, does no disservice to the memory of the Greatest, but the best thing here is Jon Voight, who loses himself thoroughly in the role of sportscaster Howard Cosell.
Unlike its televised predecessor, Ali G Indahouse just isn’t that funny.
Alias Betty is either a fascinating study of the relationship between mothers and their children or a disturbing story about sociopaths and their marks. I'm not sure, but both readings of this taut French thriller seem ...
Every adult is a reaction to a childhood. Our adult form represents the survival of (or the succumbing to) the traumas and triumphs of our youth. For the bastard-born Martin, that means recovering from his mother ...
Sadly, the mirth-to-muck ratio in Tim Burton's new film is deeply imbalanced.
Although it has visual panache, this new story is lifeless
The franchise's fourth outing
Taking its cues from several classic 1950s sci-fi films, Alien Trespass is a deeply affectionate homage to the era when every kid on the block knew what "Klaatu borada nikto" meant.
An asinine grudge match between two of the most memorable Eighties-era screen bugaboos
A group of kids save their vacation home from extraterrestrials while keeping their clueless elders out of the loop.
Apocalyptic monster mash makes big crash.
Alien³ (1992, 115 min., R)
Weaver's Lt. Ripley and H.R. Giger's brainchild face off in Fincher's beautifully shot sequel that goes nowhere.
Alive (1993, 127 min., R)
I can remember reading the novel Alive when I was much younger and having, not nightmares per se, but more like uneasy dreams for some time after. Frank Marshall's film version of the story deftly manages ...
Medical science seems well on its way to turning the AIDS-haunted gay romance genre into a dated curiosity. But even if, as we all pray, the white smocks succeed in their mission, a handful of these ...
All About My Mother merges all of Almodóvar's noted preoccupations with women on the verge of nervous breakdowns, screwball melodramas, and flamboyant visual touches with a cohesive – and universal – story about the faces and roles we all adopt in public.
Sandra Bullock plays it kooky in this romantic comedy in which she stalks a CNN cameraman (Bradley Cooper) with whom she's smitten.
The ESPN SportsCenterization of action cinema continues apace with All About the Benjamins. My point: Modern actioners increasingly resemble sports highlights shows in their pandering to the Phallo-American community's love of spectacular payoff moments and wise-ass ...
Call this one Miracle on 12th Street. No it's not precisely the same story as the 34th Street model (or even one-third the story), but it borrows much of the same whimsy, grit and Christmas sentiment ...
All Is Lost (2013, 106 min., PG-13)
In this near-wordless film, Robert Redford is compulsively watchable as a man trying to save himself from his sinking ship.
Claude (Folland) is the sort of teenage girl who goes by Claude instead of Claudia: a big, sturdy girl with beautiful red hair, a wardrobe full of loose-fitting clothes, and the desire to start a rock ...
Like most freakish accidents, falling in love is sometimes just a matter of good timing. In the romantic comedy All Over the Guy, the physical and emotional attraction between one couple is instantaneous, while the relationship ...
Movies this bad don’t often get released anymore, a circumstance that instantly raises the curiosity factor of All That I Need.
Despite an A-list cast and director, it's astonishing how bad this movie is.
This much-storied and long-in-the-making film adaptation of Cormac McCarthy's widely cherished Western novel is neither the sacrilege that McCarthy's true believers feared nor the epiphany for which fans of the Western film genre had hoped. Instead, ...
There’s a Silver Jews song called "Inside the Golden Days of Missing You" that laments the twin states of getting over love and getting over getting over love: "and then the feeling fades away, but you ...
This newest work from steadfast American independent filmmaker, Jon Jost, almost breaks out of his arthouse ghetto and into markedly familiar movie strategies like narrative and performance, making this his most engaging merger of experimental and ...