• newsletters • best of austin • find a paper • submit an event • advertise with us • contact • jobs •
Picture in Picture
Author List | All Tags
Recent Tags
Popular Tags


Check back here for Chronicle alerts!


Catching Up With No Country for Old Men 

 Wed Sep 12, 1:04pm , 2007


The first film I attended was something I really wanted to see, but also an attempt to catch up with festival-goers who had already caught some of Toronto’s films at Cannes in May and Venice last month. No Country for Old Men by the Coen brothers is based on the novel by Cormac McCarthy and stars Tommy Lee Jones, Josh Brolin, Woody Harrelson, and Javier Bardem, whose demented appearance provides and use of oxygen-tank weaponry is merely a hint of the character’s way-off-the-charts psychopathology. At first glance, the pairing of McCarthy and the Coens might seem an unlikely match. But the combo ends up working beautifully. The film is a crime drama, as are so many of Joel and Ethan Coen’s efforts from Blood Simple to The Ladykillers. Although No Country’s tone doesn’t share the goofy vibe of works such as Raising Arizona or The Big Lebowski, one look at Bardem’s ‘do and fearless performance as a beyond-the-pale whackjob (literally) lets us know that the Coens are somewhere behind the scenes cracking up with laughter. The film’s violence has moments that fall into the ultra-violence territory, yet remain creative and memorably stunning. Jones delivers another immensely satisfying performance here, but the real surprise is Brolin, whose character is more the story’s protagonist than Jones’. Brolin commands our full attention as a leading man, and the film should be a breakthrough role for him. It’s through his character’s storyline that the Coens once again challenge us to follow the money trail. Although I haven’t read McCarthy’s novel, I assume that some of the story’s themes about the lapsed values of the past and the way America is changing for the worse are incorporated into Jones’ sheriff, who is on the trail of those following the money trail. No County for old Men kind of subsides precipitously after reaching a dramatic crescendo, which again I presume is a reflection of the novel. This unsatisfyingly rapid narrative closure, however, may just be a sign that No Country is one of those totally involving stories that one just hates to see end.

 

MORE IN FILM
photo by Brandon Joseph Baker
Sundance Report
Marjorie Baumgarten, Tue Jan 26
Negotiating hail, high altitude, and movies galore
 
MORE IN SCREENS
Sundance Report: Amy Grappell Honored
Marjorie Baumgarten, Wed Jan 27
"Quadrangle" creator takes honorable mention at 2010 Sundance
Share Digg Twitter Facebook Del.icio.us LinkedLn Email Print article
COMMENTS
2
 
Yes guest Nov 11, 2007 - 12:29 am
You are right that the film is brilliant. However, your junior high observation that America is changing for the worse is totally off mark. The Chronicle is changing for the worse, yes, but the rest of America seems to know what's right and proper. Can you guys hire some intelligent reporters? That would be the next step. Thank you.


You don't think things are changing for the worse? guest Nov 11, 2007 - 07:47 pm
Must be nice living in that glass tower.




POST A COMMENT

(optional):
:

Permission to Print. Letter to the editor.
 

 

 


Short Story Party
Sound Wars
Mind Over Music
Online Contests
Chrontourage
Chronicle Merch

 

Ads of the Day


FEATURED POSTS
A Super Bowl to Remember
Mark Fagan, Mon Feb 8
Who Dat nation rejoices
Texies and the City
Richard Whittaker, Sun Feb 7
Council's new partnership with flat-track Roller Derby league (video)
Videos: Spoon and the Strange Boys
Austin Powell, Fri Feb 5
"Written in Reverse" and "Be Brave"
Powers on the Spot
Richard Whittaker, Fri Feb 5
Footage from the UT budget town hall [video]
This Week's Waste of Time
James Renovitch, Thu Feb 4
A free online game lets the lasers fly.


MOST POPULAR
Photo courtesy of University of Texas Department of Student Affairs
UT Axing Cactus Cafe, Informal Classes
Richard Whittaker, Sun Jan 31
Union board "phasing out" two campus institutions in August
We Forgive You, Notre Dame. Just Don't Do It Again.
Steven Cheslik-deMeyer, Tue Jan 26
Notre Dame student paper prints hateful cartoon.
Hustlers: London or Bust
Richard Whittaker, Sat Jan 30
Texas Rollergirls kick off fundraising drive with silent auction
Photo by Jana Birchum
White vs. Shami, Round One
Richard Whittaker, Mon Feb 8
Who won the Democratic governor's debate? (UPDATED)
Give Us Your Best Roundhouse Kick to the Head
Belinda Acosta, Wed Jan 27
Deets on local auditions for the new reality show The Next Dragon