One band’s melody is another act’s death. Swedish nü metallers Soilwork emit The Panic Broadcast from a bunker of intelligible harmonics, while Bay Area first wave thrasher Death Angel prepares its own Nuclear Blast (Records) assault, Relentless Retribution, due in September, with a guest shred spot from acoustic metalheads Rodrigo y Gabriela. Pirate thrasher Swashbuckle and Quebec tech mangler Augury sandwich Jersey emoters Mutiny Within. – Raoul Hernandez
Around this time last year, Kara Bowers was featured in the Chronicle’s profile of female rappers. She punctuated her style by saying, “I’m a little Pimp C and a little Cyndi Lauper.” The Houston-bred Bowers, who goes by KB the Boo Bonic on stage, has since come into her own. She’s been the subject of a short documentary called “FeMC,” which has screened locally and nationally, and finally released her debut album, Scars Are Sexy, mixed by Rapid Ric.
“There was never really a blueprint, like, ‘I need to have a club joint and a love joint and a shit-talking joint.’” Bowers says. “I just recorded the tracks as I went through the past few years of my life. The way it progressed was an eclectic mix of sounds, subjects, emotions, and styles in the body of music.”
It is sort of a blueprint, though, subtly plotting a course through the male-dominated landscape of Texas rap. There’s a distinct femininity but also some muscle behind tracks like “Click Clack.” “Glitter Ain’t Gold” and the title track ride a smoother flow, while “I’m Pisst” inverts the typical rap diss, as she holds the mirror to herself: “I don’t need your criticism, I’m on my own shit list.”
“Scars Are Sexy is definitely a reflection of me,” she adds. “My friend was looking at it the other day and has heard all of my songs and made an attempt at describing my style. He said I was like a Southern belle badass mixed with 1980s Madonna and gangster rap.”