Negotiating hail, high altitude, and movies galore
photo by Brandon Joseph Baker

Sundance Report 

 Tue Jan 26, 6:10pm
Today, at the near-halfway point of the festival, I took it as an indication that my brain was approaching overload when I stepped outdoors, looked at the precipitation hitting my parka, and said to my walking companion, “Oh look, it’s the bouncy stuff.”
 


No Limits No Control 

 Wed May 27, 4:30pm , 2009
Certainly it comes at little surprise, given the near-universal harshness of the reviews, that Jim Jarmusch's latest, The Limits of Control, is vacating Austin after a mere one-week run. This Thursday, May 28, will be the last day to catch a screening at the Arbor Theatre. Consider making Limits a priority because I'm here to tell you that all the naysayers are flat-out wrong. Distributor Focus Features has probably already given up on garnering any more business in the hinterlands after the poor showings the film had in its New York and L.A. debut and decided to cut its losses. Since no advance screenings were held in Austin for critics, I caught the movie over the weekend. Yes, the film is dreamy and enigmatic, but is by no means as ponderous and abstruse as many of the reviews have made it out to be.
 


'Inglourious Basterds' Equals Happy Jews 

 Wed May 6, 4:46pm , 2009
Film distribution titan Harvey Weinstein spoke via satellite with John Pierson's Master Class at UT-Austin on Monday. Asked for comment about Quentin Tarantino's new war movie Inglourious Basterds, which will premiere in Cannes in a couple of weeks, Weinstein quipped: "There are gonna be a lot of happy Jews out there." Brad Pitt stars in the film as the leader of an American unit of Nazi killers. The film opens nationally on August 21.
 


Drag Me to Hell: The Wait Is Almost Over 

 Mon Mar 16, 5:37pm , 2009
There's not much that'll get my tired carcass out to midnight screenings anymore, however last night's SXSW screening of Sam Raimi's work-in-progress print of his new horror film Drag Me to Hell is definitely one of those things. Fans of Darkman and his Evil Dead films have been seriously geeking out over the great director's return (after a near-20 year absence) to the horror genre that kicked his career into gear. Not that movies such as the Spider-Man trilogy and A Simple Plan are chopped liver, nor are most of his other producing and writing credits – but horror fans have longed for the kind of Raimi film that might slice body parts into literal chopped livers, and then maybe dice ’em into mincemeat.
 


Mike Judge and cast celebrate the 10-year anniversary of the release of <i>Office Space</i>
photo by Charles Ramírez Berg

Office Spaced in Austin 

 Wed Feb 11, 2:26pm , 2009
 


My AFF Friday 

 Sun Oct 19, 3:41pm , 2008
The Austin Film Festival’s annual barbecue on the grounds of the French Legation Friday evening was again one of the highlights of the weeklong event. It’s a lovely gathering of the out-of-towners, festival filmmakers, and members of the local film community. The beer and wine flowed freely (though I would have loved it even more if festival sponsor Absolut had participated in the event), and the cloudy residue from our once-quarterly rainfall (it’s been a little parched here in case you’re not up on Austin’s annual rainfall totals) earlier in the week cleared out and made for perfect, sunshiny BBQ weather. The schmooze was lively, but catching up with old friends and connecting with new ones got in the way of getting my feed on. The food was all gone by the time I made my way to the chow line, sending me out to my first film of the fest with a hunger in my belly.
 


Can't Tell the Flix Without the Pics 

 Wed Sep 24, 7:32pm , 2008
All week long, I've been digging this fun pictograph reference guide to Fantastic Fest's movies. The chart takes up a full page in the program book, and T-shirts have also been emblazoned with the hand-drawn symbols. 130 little squares depict handy tips to the movies' contents – everything you might imagine and more that you hope you can't.
 


Kevin Smith at opening night of Fantastic Fest
Marjorie Baumgarten

Porno Presented at the Paramount 

 Sat Sep 20, 5:23pm , 2008
Leave it to the inimitable Kevin Smith to slip the word, if not an actual skin flick, into the grand lady of Austin theatrical venues: the Paramount Theatre. A screening of his new film Zack and Miri Make a Porno was the opening film at the fourth annual Fantastic Fest. Smith's simultaneously sweet and unsavory new comedy stars box-office king Seth Rogen and delightful Elizabeth Banks (who is soon to appear as Laura Bush in Oliver Stone's W.
 


Matt Stone Visits Austin Via South Park 

 Fri May 2, 4:56pm , 2008
John Pierson was clearly delighted. It took three years but now the guest he had most wanted to book was finally in the house. Since beginning his Master Class at UT three years ago, Pierson has tried to get South Park's co-creator Matt Stone to visit with his Austin students. But the timing has never been right due to the congruence of UT's spring semester and Comedy Central's spring season. The stars aligned, however, in 2008 and Stone was able to hop on a flight right after completing work on the 12th season of South Park and make an appearance in Pierson's final class of the semester. Stone and his creative partner in South Park, Trey Parker, never work more than a week ahead on each episode of the show. This is part of what makes it impossible for the two to get away from L.A. while the season is in progress. Stone confesses they "get bored" pretty quickly, and that's part of why they like having only a week to produce a show. Mostly, though, it's "procrastination" that takes them down to the wire.
 


Mike Wallace: Before He Was a 60-Minute Man 

 Fri Apr 4, 12:19pm , 2008
Back in the early Sixties, when TV journalist Mike Wallace and the University of Texas' Harry Ransom Humanities Research Center were both young pups, Wallace donated to the HRC some 16mm kinescopes of the interview show that catapulted him to prominence: the nationally televised program, The Mike Wallace Interview. The HRC, along with the University's School of Information, have now digitized these unique programs and have made them available online. Although the show aired from 1957 to 1960, the HRC's collection is limited to 65 interviews on kinescope and audio tape from the years 1957-58. But what a panoply of guests Wallace attracted in that time!
 


Steve Buscemi: actor, filmmaker, dad
Photo by Marjorie Baumgarten

Six Degrees of Steve Buscemi 

 Tue Mar 18, 1:59pm , 2008
Steve Buscemi ducked in to some SXSW showcases over the weekend while in town to catch his son's punk outfit Fiasco perform and also visit with John Pierson's RTF Master Class on Monday for a wide-ranging discussion with the students of his legendary career in film.

The extensiveness of Buscemi's acting career (IMDB credits the actor with more than 100 film and TV appearances since his start in the mid-Eighties) prompted Pierson to wonder why the game isn't called Six Degrees of Steve Buscemi instead of Kevin Bacon (an actor, Buscemi pointed out ironically, with whom he has never worked).

 


Sundance: The Order of Myths 

 Wed Jan 23, 6:01pm , 2008
The photo I posted yesterday of Louis Black and Jackie “the Jokeman” Martling was taken at a dinner for Margaret Brown’s documentary competition film The Order of Myths. Margaret is the Austin filmmaker also responsible for the lovely musician portrait Be Here to Love Me: A Film About Townes Van Sant. Her new film examines the culture of Mardi Gras in Mobile, Alabama, the location of the oldest running Mardi Gras festivities in the country. Two separate organizations govern the celebrations: one for whites and one for blacks. In the process, she provides a unique look at the remnants of segregation and racism in America today, institutions that, over the decades, have grown in subtlety and as a consequence of universal complacency. The film smartly avoids blame-mongering in favor of a display of the deep roots of our racial enculturation and complacency. We’ll have much more to say about Brown’s film when it inevitably plays in Austin.
 


Sundance: Jackie, Ohhh 

 Tue Jan 22, 5:25pm , 2008
Can’t resist posting this photo taken at Sundance of Austin Chronicle editor Louis Black with Jackie “the Jokeman” Martling, the notorious comedian who is a frequent visitor to Austin. As a passionate listener of Howard Stern, Black has been a longtime fan of Martling’s. This chance meeting is the happiest I think I’ve seen my boss in this new millennium.
 


Sundance: A Good Start 

 Mon Jan 21, 3:39pm , 2008
My first few film picks all turned out to be winners. The Black List, which just received word as the festival opened of a sale to HBO, is a collaboration between filmmaker Timothy Greenfield-Sanders and interviewer Elvis Mitchell. The documentary offers clips from interviews with some 20 influential African-American figures on a variety of subjects. Collectively, their abbreviated dialogues demonstrate many of the commonalities but, moreover, the differences among them regarding individual and racial identity. Pretty fascinating stuff and trenchant as can be in this moment in time when the campaign for the presidency is inciting a closer examination of identity politics.
 


Who Needs Hannah Montana? 

 Fri Jan 18, 6:06pm , 2008
For most Sundance festivalgoers, the opening-night film was In Bruges, a hitman slice-of-life story directed by playwright Martin McDonagh that stars Colin Farrell, Brendan Gleason, and Ralph Fiennes. It’s scheduled to open in Austin in a couple of weeks on Februray 8. For me, still in Austin, the opening-night film was U2 3D, which press-screened on Wednesday night at the IMAX Theater at the Bob Bullock History Museum. The feature-length film is premiering on Saturday at Sundance, but it is also due to open at the Austin IMAX next Friday, January 25. For me it served as my kickoff to Sundance.

And what a kickoff – not only for a celebration of film but for the new year as well. It’s certainly the most fun I’ve had a movie in a long while. It may also be the best concert film since Jonathan Demme’s Stop Making Sense.
 


The Peaks and Peeks of Sundance 

 Mon Jan 14, 1:37pm , 2008
No coy excuses for the absence of Marginalia over the last few months. But the blog is back and now mobilizing to check out the 2008 Sundance Film Festival's peaks and peeks. Beginning this weekend, Utah's Wasatch mountains will be seen from picturesque solid ground (no ski slopes for this klutz) but the festival films will be viewed from an up close and personal position. Join me in the annual search for the Sundance heat.
 


Local teens star in reality series, ENDURANCE: Fiji.
Luis Ascui

Local teens on TV 

 Wed Oct 10, 1:25pm , 2007
Leslie Powell and Andres Ramirez can now be seen beyond the hallways of their local high schools, as they are now starring in Endurance: Fiji on the Discovery Kids Channel.
 


There Will Be Blood 

 Fri Sep 28, 2:08pm , 2007
The closing night film of Fantastic Fest was a real doozy: Paul Thomas Anderson's eagerly awaited Christmastime release There Will Be Blood. Despite the film not falling into the sci-fi, crime, and horror genres that populate the fest, the film is certifiably "fantastic." Anderson was present for the screening and brought along some of his key personnel (editor Dylan Tichenor, production designer Jack Fisk – who appeared to be accompanied by his wife Sissy Spacek, and others). Variety invited me to write a post about the screening on their Fest Central blog, so I won't repeat myself here, except to include one thing I neglected to mention: Anderson dedicates the film to Robert Altman, who died last year but not before completing A Prairie Home Companion, on which Anderson served as Altman's insurance-required backup director.
 


Diary of the Undead 

 Sat Sep 22, 4:18pm , 2007
Hopping from one film festival to another is certainly the way to live – but it does cause one to adopt a certain diary-of-the-undead feeling. Which is perfect for my return to Austin from Toronto (and anyone wondering about that sticky passport situation I had … let's just say that it proved disturbingly easy to re-enter the U.S. with expired papers). After a segue into putting out this week's issue – which had the ungodly number of 13 new film reviews (how does that much new stuff open in any given week?) – it's time for Thursday's opening night of Fantastic Fest. The third annual edition of this quickly maturing fest kicked off with a screening of George Romero's Diary of the Dead, with the horror legend Romero in attendance. I caught the movie in Toronto and had a thorough blast watching it there. It's smart, funny, and wise. Over the decades, nobody has demonstrated as well as Romero the malleability of the horror genre to speak to all eras. To those who think Diary of the Dead's use of video cameras is too Blair Witchy and derivative of recent J-horror, guess what: We're living in the Videodrome era. (Maybe Anyway, Alamo Romeo was introduced by Drafthouse and Fantastic Fest host Tim League, who spoke from the heart about why this particular filmmaker means so much to him. Romero answered questions from the audience ’til it was time to make way for the next screening, and left the auditorium spotlight only after commenting on what a great time he had with this crowd and what a hospitable town Austin is.
 


The Moral of 'Body of War': Don't Make Precipitous Decisions 

 Wed Sep 19, 3:50pm , 2007
I'm sitting here with my pocket copy of the U.S. Constitution, a parting gift I was handed upon my exit from the film Body of War, an eloquent and emotionally moving account of the toll the war in Iraq has had on American soldiers and their families. Co-directed by Austin documentarian and UT professor Ellen Spiro and former talk-show host Phil Donahue, the film is a biting essay on the American Congress' rush to war and the effect of battle on one soldier, Tomas Young. Young enlisted on September 13, 2001 after seeing that iconic image of the president rallying Americans with a bullhorn at the site of the World Trade Center. He was eager to go to Afghanistan and fight the "evildoers," but was instead sent to Iraq, where, on his first mission on only his fifth day in country, he was hit in the spine and subsequently paralyzed from the chest down. Following his return and marriage to his girlfriend, the wheelchair-bound vet eventually became an ardent member of Iraq Veterans Against the War. The moral of his story, he says, is "don't make precipitous decisions," and it's a moral also echoed in the words of Sen. Robert Byrd, whose hectoring defense of the Constitution in the months after 9/11 did little to sway his fellow elected representatives to stay the course and not abdicate to the president their power to wage war.
I attended a dinner before the premiere at which I had the honor and pleasure of sitting at a table with Young and musician Eddie Vedder, who wrote and performs a couple of original songs for the movie. Vedder also performed the songs live at the theatre following the screening. But before the mini-concert began, the film garnered the biggest standing ovation I witnessed for any movie at the festival. And though there were Vedder fans in attendance who would have been at any movie that featured music by him (Sean Penn's Into the Wild is another festival film that features Vedder's work), the film's standing O can't be chalked up to the Vedder effect. This audience genuinely moved by Young's personal saga, and the experiences of his wife and mother as they accompanied him on his journey from war supporter to dissenter. Donahue worked the microphone during the Q&A like the seasoned pro he is (he also introduced wife Marlo Thomas, who he joked was sitting in the worst seats in the house - and she was – she waved from the nosebleed section of the balcony), while Spiro appeared to drink it all in.
 


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