Directed by Martin Provost. Starring Yolande Moreau, Ulrich Tukor. (2008, NR, 125 min.)

REVIEWED By Marc Savlov, Fri., Oct. 9, 2009


This rapturous, utterly engrossing account of the life of early 20th century French artist Séraphine de Senlis (Moreau, in an impeccably humble yet intellectually ecstatic performance) and her discovery by and association with German art curator Wilhelm Uhde (Tukor), who also happened to be her employer, won six César awards in its native France, and it's easy to see why. From the penniless and drudge-filled life of a homely housecleaner (the backbreaking laboriousness of scrubbing clean Uhde's modest home in the township of Senlis is no trifling matter in either Provost's view or Séraphine’s) to becoming a monetarily patronized cause célèbre and, eventually, a candidate for the madhouse: What's not to love? I'd heard something of Séraphine in my old art-history courses but never explored much further, to my great regret. That probably wouldn't have been the case if I'd had Provost's magnificently moving film as a course guide; Séraphine is a skillful meditation on art and class distinctions, the influences of religion and spirituality on the artist, and the harrowing, often artistically damaging aspects that sudden celebrity can bestow upon an otherwise sidelined personality. (It's hard not to consider Séraphine's eventual mental and artistic collapse, which arrives by way of the newfound fame she receives once she’s "discovered" by Uhde, a precursor to the egregious effects of our present celebrity-or-die culture – Susan Boyle of Britain's Got Talent comes to mind.) The ill-lit intersection of art and sanity has always been a dicey juncture. Séraphine, an outsider artist before the term was invented, is both a cautionary tale for contemporay artists of all and sundry media and a genuinely moving portrait of the artist as a young(ish) scullery maid.

More Yolande Moreau Films
In the House
A pleasurably heady thriller from French auteur François Ozon.

Kimberley Jones, May 17, 2013

This French-language film from Amélie director Jean-Pierre Jeunet resembles a live-action cartoon.

Marjorie Baumgarten, June 25, 2010

More by Marc Savlov
In a Valley of Violence
Ti West takes a break from horror with this Ethan Hawke Western

Oct. 21, 2016

Ouija: Origin of Evil
This horror sequel is vastly superior to its cheesy precursor

Oct. 21, 2016


Séraphine, Martin Provost, Yolande Moreau, Ulrich Tukor

This content has not been formatted for this window size.
Please increase the size of your browser window, or revisit this page on a mobile device.
AC Daily, Events and Promotions, Luvdoc Answers

Breaking news, recommended events, and more

Official Chronicle events, promotions, and giveaways

All questions answered (satisfaction not guaranteed)