Two classic stage plays, Shakespeare's tragedy and Stoppard's comedy, performed in repertory and rotating each night with the same cast portraying the same characters. Directed by Jeff Hinkle for City Theatre. See website for details. Through April 2. Thu.-Sat., 8pm; Sun., 3pm. $15-20.
Your ticket to this excellent fundraiser includes an Elizabethan-inspired feast from Chef Megan Turbeville, foolery-themed libations, and entertainment from the Hidden Room's most delightful clowns – Toby Minor, Robert Matney, Andreá Smith, Jennifer Coy Jennings, Joseph Garlock, and more. And the whole tasty night of hijinks is hosted by that fool Phantasmo (from Der Bestrafte Brudermord) and directed by the nonpareil Beth Burns. Bonus: live music by Howard Burkett and Eric Roach. Sat., April 1, 8pm. $50.
From Pulitzer Prize-winner Annie Baker – you remember The Aliens and The Flick, right? – comes this new drama in which the playwright's signature hyper-realism bleeds a Pennsylvania B&B and its cheerful innkeeper into the eerily supernatural. Katherine Catmull, Lana Dieterich, Catherine Grady, and Zac Thomas are directed by Ken Webster for Hyde Park Theatre. Bonus: Cthulhu fhtagn. Through April 1. Thu.-Sat., 8pm. $22-26 (pay what you can, Thursdays).
Kate Hamill’s new adaptation of Jane Austen’s beloved novel is directed by Lara Toner for Austin Playhouse and features Marie Fahlgren, Huck Huckaby, Jess Hughes, Sam Knowlton, Stephen Mercantel, Bernadette Nason, Cyndi Williams, and more. March 31-April 30. Thu.-Sat., 8pm; Sun., 5pm. $32-36 (half price for students).
American Berserk Theatre, who previously brought us the critically lauded hit show Subject to Control, returns with their latest, written by Curtis Luciani, directed by Rob Yoho, and starring Kaci Beeler. Which already has us clicking for a ticket, but listen to what it's about. Subtitled The Secret History of Mormonism's Elect Lady and Her Sister Wives, it's a look behind the veil of the Mormon faith's proud beginnings, an exploration of the precarious balance between love, faith, and duty in an embattled religious community. March 30-April 8; April 20-22. Thu.-Sat., 8pm. $15.
Designed by Thomas Graves, with text by Kirk Lynn, and original music by Peter Stopschinski, this is the first episode of Rude Mechs' longform experiment in episodic collaboration. It's a performance of the life cycle of mountains and the processes by which they're born and eventually laid to rest, a meditation on change and permanence. March 30-April 9. Thu.-Sun., 8pm. $10-25.
Different Stages presents this Jeffrey Hatcher play about a personal struggle among five children on the second floor of the YMCA in Steubenville, Ohio, in the summer of 1967. Directed by Karen Jambon, starring Jennifer Underwood and Suzanne Balling. March 24-April 15. Thu.-Sat., 8pm; Sun., 3pm. $15-30.
The Vortex presents Lisa B. Thompson’s new drama that reunites a pair of old college buddies (portrayed by Marc Pouhé and Jeffery Da’Shade Johnson) who've gone from radicals in their youth to successful professionals approaching middle age, each now seeking answer to the question: How far would you go to protect your people? Directed by Rudy Ramirez. March 24-April 8. Wed.-Sun., 8pm. $15-35.