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CLOSING

UT New Theatre

This showcase, curated by Liz Engelman and Steven Dietz, features newly developed works from graduate playwrights of Texas Theatre and Dance and the Michener Center for Writers. There's Gondal by Kimberly Belflower, ​directed by Adam Sussman, intersecting the young Brontë sisters' fantasy world with the modern Slender Man creepypasta. Sat., March 11, 2pm. And Slumber Party by Elizabeth Doss, directed by Doss and Cara Phipps, in which three teen girls coerce one another into a suicide pact to end their meaningless existence. March 9-11. Thu. & Sat., 7:30pm. William Glick's provocative drama, The Bigot, directed by Hannah Wolf, explores what we gain and lose when society progresses and asks us to answer the question, "Who is the true bigot?" Sun., March 12, 2pm. And Galactic Orphans by Megan Tabaque, directed by Graham Schmidt, checks out two dudes who reunite a year after graduating high school for an all-night video gaming marathon, but must contend with the intrusion of a younger sister. Fri., March 10, 7:30pm. $15-26.

B. Iden Payne Theatre, Winship Drama Bldg., 24th & San Jacinto, 512/477-6060

texasperformingarts.org/venues/b_iden_payne

A Girl Named Sue

This is the world premiere of a new play by Vietnamese-American playwright Christine Hoang​ with songs by the Korean-American singer-songwriter BettySoo​. It's an exploration of relationships between Asian and black communities in America, friendship and strain between men and women of color, ties between immigrant Americans and first-generation Americans, and love between parent and child. Directed by Karen Jambon for Color Arc Productions and featuring Uyen-Anh Dang as the titular Sue. Through March 12. Thu.-Sat., 8pm; Sun., 5pm. $15 and up.

Trinity Street Theatre, 901 Trinity

www.colorarcproductions.com

Electronic Planet Ensemble: Robot Daddy

Yes, this is a music performance. From a band, sure enough. But it's at the Vortex; and it's the EPE's 20th anniversary; and the lineup features vocals by Melissa Vogt and David Jewell, with bass by Sergio Samayoa, and Rachel Fuhrer on drums, and (as if that weren't sufficient to blow your mind's ears) ethos' own Chad Salvata on keyboards, all wrapped inside a boss-level lightshow. Bonus: Mail-art showcase in the adjoining Butterfly Bar … and you know Patrizi's is just outside, right? Through March 12. Thu.-Sun., 8pm. $15-35.

The Vortex, 2307 Manor Rd., 512/478-5282

www.vortexrep.org

ONGOING

Redux In Rep: Hamlet with Rosencrantz and Guildenstern Are Dead

Two classic stage plays, Shakespeare's tragedy and Stoppard's comedy, performed in repertory and rotating each night with the same cast portraying the same characters. Directed by Jeff Hinkle for City Theatre. See website for details. Through April 2. Thu.-Sat., 8pm; Sun., 3pm. $15-20.

City Theatre, 3823-D Airport, 512/524-2870

www.citytheatreaustin.org

Auditions: Esther's Follies

The iconic Esther's Follies on East Sixth Street seeks female and male performers with comedic experience and singing ability (they don't need a Broadway quality voice, just great energy). Specifically seeking actors who can jump right into the cast and learn the material quickly. The show is funny, fast-paced, and always changing. Must be available to perform Thursdays, Fridays, and Saturdays (with rehearsals Tuesdays and Wednesdays, noon-3pm). Send your résumé and head shot to efauditions@gmail.com to be considered for an audition. Note: No walk-ins or phone calls.

Esther's Follies, 525 E. Sixth, 512/320-0553

www.esthersfollies.com

Auditions: Best Little Whorehouse in Texas

The classic musical comedy will be directed by Sarah Gay for TexARTS this August. Wanna be part of the cast? See right here for details!

TexARTS, 2300 Lohmans Spur, 512/852-9079

www.tex-arts.org

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