Poor Shadows of Elysium presents Shakespeare's romance-fueled tragedy at Garriott's excellent theatre. Directed by Joe Falocco. Bonus: Live Middle-Eastern music. Through May 18. Fri.-Sat., 8pm; Sun., 6pm.
What do you get when you cross film noir with metaphysics, and nightclub partying with a revival meeting, and you co-produce the entire crypto-detective, mirror-ball-in-the-shadows thing with Austin's Rude Mechs? You get the second stagework from Underbelly, whose first production Slip Riverso thoroughly wowed audiences, and you get a buzz of anticipation throughout the naked city for this max work of theirs. Bonus: Hannah Kenah stars as the caper's boozy shamus. May 8-18. Thu.-Fri. & Sun., 8pm; Sat., 8 & 10pm. $15 ($10, students).
Austin's own annual Shakespeare-in-the-park sort of deal, so bring your blankets and sit out under the (eventual) stars as you ken the patter of local thespians purveying the Bard's delightful romantic comedy. Through May 25. Thu.-Sun., 8pm. Donations accepted.
The Pulitzer-winning script by Edward Albee, about two suburbanites and their permanent houseguest (a witty alcoholic sister), whose lives are disrupted by the sudden appearance of lifelong friends seeking refuge from an unnamed terror. Directed by Fritz Ketchum. Through May 25. Thu.-Sat., 8pm; Sun., 5:30pm. $15-25 ($10, Thursdays).
This collection of short plays by Lisa Loomer, Theresa Rebeck, Beth Henley, and other well-known playwrights "shatters traditional notions about parenthood, unveils its inherent comedy, and celebrates the deeply personal truths that span and unite generations." Directed by Bridget Farias. Through June 22. Sundays, 2pm. $10-20.
There's still time to submit your applications for Fronterafest 2016's Short Fringe. You know you want to have your 25 minutes in the spotlight, to have a performance you've created be the cynosure of your friends and neighbors and the hundreds of citizens from Austin and beyond who attend Fronterafest each year. Well, get to it, because time's a-wasting! See the website for details.
The Generic Ensemble Company presents this epic journey inspired by other works (including Brecht's The Good Person of Szechwan), found objects, and Anne Bogart’s Viewpoints, with stories woven together by "the mostly-queer, mostly-people-of-color cast and through the use of site-specific theatre, complete with a roving audience throughout The Vortex compound." Through May 31. Thu.-Sun., 8pm. $20-30 ($10, artists, students, seniors).