The stars of that "Whose Line Is It Anyway?" TV show do their comedy-improv thing – an enjoyable night of entertainment, especially recommended for folks who live in one of
the national epicenters
of the artform
but are scared of improv
unless there's somebody they recognize from television doing it. 8:00. $29 and up.
UT's annual series of new plays by emerging playwrights takes place at the Lab Theatre on campus and includes: Annie Jump and the Library of Heaven
, by Reina Hardy
, directed by Natalie Novacek
; Feb. 27-March 9
. Advance Man
, by Abe Koogler
, directed by Will Davis
; Feb. 28-March 8
by William Anderson
and David Turkel
, directed by Jess Hutchinson
; March 1 & 8
. Still Now
by Katie Bender
, directed by Rudy Ramirez
; March 2 & 9
. Or, The One with the Dogs
by Briandaniel Oglesby
, directed by Jeremy Lee Cudd
; March 1 & 8
. See website for details
Hosts Julie Gillis
and Ebony Stewart
team up with a diversity of performers, poets, musicians, dancers, activists, scholars, pundits, healthcare providers, filmmakers, and more for three nights of skits, sketches, schtick, and succor
. "Remember the filibuster! Remember the mob mentality
! Remember our voices!" Damn right. Thu.-Sat., Feb 27-March 1, 8pm
The Vortex, 2307 Manor Rd., 512/478-5282
Austin Playhouse continues its exploration of the works of David "Venus in Fur" Ives with the playwright's adaptation of Pierre Corneille’s 1643 screwball comedy. Hildreth England, Claire Grasso, Huck Huckaby, Lara Toner, Ben Wolfe, and more are directed by Don Toner. Feb. 7-March 9. Thu.-Sat., 8pm; Sun., 5pm. In the remains of the Highland Mall, 6001 Airport. $28-35 (half price, students).
The wildly popular musical about those two witches of Oz returns to make Bass Concert Hall sizzle with sensation once more. Music and lyrics by Stephen Schwartz; book by Winnie Holzman; directed by Joe Mantello. Through March 9. Tue.-Fri., 8pm; Sat., 2 & 8pm; Sun., 1 & 7pm. $44 and up.
Bass Concert Hall, 2350 Robert Dedman Dr., UT campus, 512/471-1444
This is the Austin premiere of Matthew Lopez’s drama about redemption and forgiveness, about the lasting scars of slavery, and the responsibility that comes with freedom. "Into the chaos of Civil War-torn Richmond, comes a wounded Jewish Confederate officer who finds his home in ruins and abandoned, except for two former slaves who have awaited the family's return." Directed by Stacey Glazer for City Theatre. Feb. 7-March 2. Thu.-Sat., 8pm; Sun., 5:30pm. $15-25 ($10, Thursdays).
City Theatre, 3823-D Airport, 512/524-2870
A Chick & A Dude Productions
takes on Samuel D. Hunter
's complex drama that features a man who's eating himself into an early grave over the death of his boyfriend, an ex-Mormon named Alan. Shanon Weaver
, in a 600-pound fat suit
, stars as the tragic Charlie; Melissa Livingston-Weaver
directs. Thu.-Sat., Feb. 20-March 15, 8pm
Marc Pouhé stars as the titular Moor targeted by the relentless villain Iago in this new production of the classic, directed by Ann Ciccolella for Austin Shakespeare. Through March 2. Thu.-Sat., 8pm; Sun., 3pm. $19 and up.
This new Teatro Vivo production from writers Omar Gallaga, Raul Garza, and Karinna Perez explores, through a series of comedy sketches, what the world would be like if Selena had lived. Including such Mexcentric wonders as los lowrider drones, the show's "a seven-layer dip through pulga culture past, present, and future." [Note: Ages 16 and older only.] Through March 1. Thu.-Sat., 8pm. $13-16.