I wasn't paying attention to Tune-yards. In fact, Merrill Garbus’ 2009 debut,
Bird-Brains, whizzed right past my radar. Suddenly, this spring’s
Whokill (4AD) blew my everloving socks off. Its attention to detail and nuances of sound create a unique musical palette. When I got her on the phone, I just wanted to know how the hell she did it.
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