Marjorie Baumgarten

Contributing Writer, Film

Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years.

1-30 of 4,240 entries
SXSW Film Review: The Greatest Hits
SXSW Film Review: The Greatest Hits
Love means never having to flip to the B side

SXSW, March 16, 2024

SXSW Film Review: The Uninvited
SXSW Film Review: The Uninvited
A Hollywood garden party unearths certain truths

Screens, March 12, 2024

Mike Judge and Cast on the Impact of <i>Office Space</i> 25 Years On
Mike Judge and Cast on the Impact of Office Space 25 Years On
SXSW panel celebrates the cult comedy that refuses to quit

SXSW, March 10, 2024

SXSW Film Review: We Were Dangerous
SXSW Film Review: We Were Dangerous
Reform-school girls break the rules

SXSW, March 9, 2024

Last One Down the Mountain: Belated Thoughts on the Sundance Film Festival
Last One Down the Mountain: Belated Thoughts on the Sundance Film Festival
Even virtually, the 2024 fest felt revitalized

Screens, Feb. 21, 2024

Revew: Joy Ride
Joy Ride
Raunchy road trip goes all the way to China for filthy fun

Movie Review, July 7, 2023

Revew: All That Breathes
All That Breathes
The struggle by three men to save the endangered black kite

Movie Review, March 31, 2023

SXSW Film Review: <i>Joy Ride</i>
Film Review: Joy Ride
Groundbreaking comedy doesn't break the raunchy mold

Screens, March 19, 2023

SXSW Film Review: <i>Max Roach: The Drum Also Waltzes</i>
Film Review: Max Roach: The Drum Also Waltzes
The life and impact of the jazz drumming pioneer

Screens, March 13, 2023

Revew: Infinity Pool
Infinity Pool
Body doubles take on a new, sick meaning in this next gen Cronenberg horror

Movie Review, Jan. 27, 2023

Revew: Empire of Light
Empire of Light
The bulb glows dim in Sam Mendes' tribute to picture palaces

Movie Review, Dec. 9, 2022

Revew: The Fabelmans
The Fabelmans
Steven Spielberg presents his own origin story

Movie Review, Nov. 25, 2022

Revew: Bones and All
Bones and All
Chalamet and Russell glisten with blood and love in this cannibal road trip

Movie Review, Nov. 18, 2022

Revew: Holy Spider
Holy Spider
True crime drama is an indictment of theocracy and misogyny

Movie Review, Nov. 11, 2022

Revew: Armageddon Time
Armageddon Time
James Gray's note-perfect depiction of moral failings in Eighties NYC

Movie Review, Nov. 4, 2022

Revew: TÁR
TÁR
Cate Blanchett proves herself a maestro in this furious and brilliant musical drama

Movie Review, Oct. 21, 2022

Revew: Triangle of Sadness
Triangle of Sadness
Ruben Östlund's newest Cannes' award-winning social satire falls flat

Movie Review, Oct. 14, 2022

Revew: Carmen
Carmen
Maltese midlife crisis comedy is a pleasant if undemanding jaunt

Movie Review, Sept. 23, 2022

Revew: The Silent Twins
The Silent Twins
True story of siblings gives little insight into their inner lives

Movie Review, Sept. 16, 2022

Revew: I Love My Dad
I Love My Dad
Patton Oswalt embraces the cringe in a comedy of terrible parenting

Movie Review, Aug. 5, 2022

Revew: The French
The French
Astounding record of life on and off court in tennis's glory years

Movie Review, June 17, 2022

Revew: Fanny: The Right to Rock
Fanny: The Right to Rock
Rocking reminder of the pioneering all-woman band

Movie Review, June 10, 2022

Revew: Happening
Happening
Stunning French tale of a woman seeking an abortion is depressingly timely

Movie Review, May 13, 2022

From the Archives: Organizing Outside the System – Deborah Shaffer and <i>The Wobblies</i>
From the Archives: Organizing Outside the System – Deborah Shaffer and The Wobblies
Our 1981 interview with the filmmaker behind the classic doc

Screens, May 3, 2022

Revew: Infinite Storm
Infinite Storm
Survival drama is epic, even if the story feels small

Movie Review, March 25, 2022

SXSW Film Review: <i>Sell/Buy/Date</i>
Film Review: Sell/Buy/Date
Sarah Jones' sex work play becomes a self-analytical film

Screens, March 22, 2022

SXSW Episodic Review: <i>DMZ</i>
Episodic Review: DMZ
New Ava DuVernay series departs from her usual visual style

SXSW, March 17, 2022

SXSW Film Review: <i>I Love My Dad</i>
Film Review: I Love My Dad
SXSW Grand Jury award winner finds humor in an icky setup

SXSW, March 16, 2022

Revew: 2022 Oscar-Nominated Short Films: Live Action
2022 Oscar-Nominated Short Films: Live Action
Universal insights into unique stories

Movie Review, Feb. 25, 2022

Revew: The Worst Person in the World
The Worst Person in the World
Worst person? No. Best performance of the year? Maybe.

Movie Review, Feb. 18, 2022

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