marjorie baumgarten 1996 106 results
Travolta plays an unkempt, beer-swilling, Beatles-quoting angel who – yes – also dances.
Film Review, Dec. 27, 1996
Society of Texas Film Critics Announce Awards
Screens Feature, Dec. 27, 1996
An earnest visionary devoted to improving dire conditions back home must play games of wit with the court of Versailles in order to win backing for his drainage project.
Film Review, Dec. 25, 1996
What is it about our mad artists that makes us love them so? Shine now adds the story of Australian pianist David Helfgott to our...
Film Review, Dec. 25, 1996
Here's a conundrum: how to film a drama about mass hysteria without the end product becoming shrill and hysterical? It's a problem that's not fully...
Film Review, Dec. 20, 1996
Jerry Maguire opens with the kind of event that a more traditional movie would generally save for its concluding moments. This disruption should be our...
Film Review, Dec. 13, 1996
Bing Crosby croons “White Christmas” while the camera scans the image of the blue-and-white Israeli flag: That's the viewer's initiation into the world of Mother...
Film Review, Dec. 6, 1996
Before the rigors of “rehab” acquired an American cachet and a therapeutic gold standard associated with privilege and the name Betty Ford, the revolutionary Chinese...
Film Review, Dec. 6, 1996
Holiday Movie Previews
Screens Feature, Nov. 29, 1996
One of the thrill master's most psychologically dense and twisted films in which obsession, commitment, and dual identities merge to create a voluptuous tale of thwarted love.
Film Review, Nov. 15, 1996
It starts off with the image of a body floating face-down in a Jacuzzi while a voiceover begins the explanation of how the story's hero...
Film Review, Nov. 15, 1996
Space Jam lies directly at the point where the interests of art and commerce intersect. Less a movie than a merchandising phenomenon, Space Jam is,...
Film Review, Nov. 15, 1996
Set It Off's girls 'n the hood are the kind of bank robbers you find yourself rooting for. This action-heist drama about four young African-American...
Film Review, Nov. 8, 1996
In this new comedy from the producing team of David Zucker, Robert LoCash, and Gil Netter, who are best known for their Naked Gun sequels,...
Film Review, Nov. 8, 1996
Caught is a touching little movie whose gifts are best revealed by the experience of watching it than hearing about it. Directed by the legendary...
Film Review, Nov. 8, 1996
Literary Classics Rush the Screen
Screens Feature, Nov. 8, 1996
We all know the screen image of Carmen Miranda: the fiery Brazilian bombshell in the fruit- and banana-bedecked hat, the samba songstress and mistress of...
Film Review, Nov. 1, 1996
This Shakespeare rendition is not so much a reconceptualization as a recontextualization of the 400-year-old play. This Romeo + Juliet is a rich visual feast, besotted with the fervor of its acrobatic camerawork and kinetic staging and its mind-bending aggregation of unrelated but resonant fragments of 20th century iconography. It is a Shakespearean work thoroughly conceived for the screen. DiCaprio and Danes again prove that they are two of the best actors of their generation. And William Shakespeare has once more demonstrated that he is a storyteller for all time.
Film Review, Nov. 1, 1996
The Leopard Son initially gives the appearance of being some half-breed offspring of The Lion King. Rather than a Disney cartoon, the film is a...
Film Review, Nov. 1, 1996
Al Pacino is looking to better understand William Shakespeare's Richard III. And he's looking everywhere. Throughout the course of Looking for Richard (which was shot...
Film Review, Nov. 1, 1996
Not since Michael Moore was caught playing fast and loose with the timeline of Roger & Me has critical attention been so sharply attentive, as...
Film Review, Oct. 25, 1996
Buscemi wrote, directed, and stars in this penetrating movie about a hopeless alcoholic who nevertheless hopes for something more out of life. The attentions of a lusty 17-year-old (Sevigny) is the last thing this guy needs.
Film Review, Oct. 25, 1996
Far too frequently, the space between adolescence and manhood is occupied by gang membership. Whether it's the Sharks and the Jets, the Mods and the...
Film Review, Oct. 25, 1996
The international reputation of British director Mike Leigh has grown phenomenally in recent years with the popularity of 1988's High Hopes and 1990's Life Is...
Film Review, Oct. 18, 1996
This biopic provides an introduction to the work of Dorothy Day, activist for the disenfranchised and founder of the newspaper called The Catholic Worker.
Film Review, Oct. 18, 1996
Spike Lee's one-year anniversary commemoration of the Million Man March is a smart, funny, passionate, and open-ended tribute to the spirit of the unprecedented gathering...
Film Review, Oct. 18, 1996
On May 5, 1993, the horribly mutilated and abused dead bodies of three eight-year-old boys -- Steven Branch, Christopher Byers, and Michael Moore -- were...
Film Review, Oct. 18, 1996
Every Picture Tells a Story
Screens Feature, Oct. 18, 1996
Davis plays a suburban mom, amnesiac, and trained-to-kill bottle blonde.
Film Review, Oct. 11, 1996
Essentially a one-joke movie, Curdled began life as a 30-minute student film by Reb Braddock and John Maass, and though I haven't seen the original...
Film Review, Oct. 11, 1996
One cooks, the other doesn't. 301 and 302 are the numbers of neighboring apartments in this South Korean mystery/comedy. The woman in 301 (Bang) is...
Film Review, Oct. 11, 1996
The impressive co-directing debut of the Wachowski Brothers has visual style to burn – not to mention a hot story about two women who fall in love and plot to pilfer a couple million from mobsters.
Film Review, Oct. 4, 1996
There is no better way to while away a Sunday afternoon than with this sprawling saga about the growth of Texas and the families that...
Film Review, Oct. 4, 1996
Edna Buxton (Douglas) is an heiress from Philadelphia who, at the beginning of Grace of My Heart, wins a singing contest that launches her transformative...
Film Review, Oct. 4, 1996
The prognosis on this medical thriller is not good. Hugh Grant plays a bright young doctor destined for the highest echelons of New York medical...
Film Review, Sep. 27, 1996
John Walsh makes an auspicious feature filmmaking debut as the writer and director of the whimsical yet sharply focused romantic comedy Ed's Next Move. Though...
Film Review, Sep. 27, 1996
A fine ensemble cast compensates for the narrative paucity of 2 Days in the Valley -- the current winner of the “hit man crime/comedy of...
Film Review, Sep. 27, 1996
Although James Mangold's Heavy was made in 1994, well before Bernardo Bertolucci's recent Stealing Beauty, it's remarkable how both directors have used ingenue Liv Tyler...
Film Review, Sep. 27, 1996
Artificial intelligence. Virtual reality. Smart drinks. Molecular nanotechnology. Cybersex. Welcome to Synthetic Pleasures, the movie that wants to be our tour guide to the future....
Film Review, Sep. 27, 1996
Families, as we all know, are not always planned. Sometimes they're forged from the darnedest circumstances, neither random or plotted, and definitely not genetic. For...
Film Review, Sep. 20, 1996