jonelle seitz 2011 19 results
Tapestry's syncopated take appeals even to those who have sworn off sugarplums
Reviewed by Arts Review, Dec. 15, 2011
These microdances had beginnings, middles, and ends, and also heart
Reviewed by Arts Review, Dec. 8, 2011
Alvin Rangel's future may be uncertain, but for now he's making great dance
Arts Feature, Dec. 1, 2011
Training dancers to help victims of abuse
Arts Feature, Nov. 3, 2011
The Brooklyn troupe's dance was often visually arresting but at times bland
Reviewed by Arts Review, Oct. 27, 2011
Warm, liquid sweetness flowed through a program of intriguing dance
Reviewed by Arts Review, Oct. 6, 2011
Via innovation and homage, Ballet Austin makes new dances from old tunes
Arts Feature, Sep. 29, 2011
Allison Orr takes out the Trash a second – and final – time
Arts Feature, Aug. 25, 2011
An Austin choreographer journeys to an international competition
Arts Feature, Jul. 21, 2011
The Big Range Dance Festival shows why that art is worth everyone's attention
Reviewed by Arts Review, Jul. 7, 2011
After season's close, ballet dancers join forces in a unique new venture
Arts Feature, Jun. 9, 2011
This strong program of independent dance deserved to be seen by more people
Reviewed by Arts Review, Jun. 2, 2011
This new balletic adaptation boasted fantastic visuals but stodgy choreography
Reviewed by Arts Review, May. 12, 2011
In this mixed-dance program weighted with angst, skill and innovation were lacking
Reviewed by Arts Review, Apr. 14, 2011
The mixed program offers a rich variety of dance that defies easy summation
Reviewed by Arts Review, Mar. 31, 2011
How four love poems shaped a suite of dances and affect the dancers themselves
Arts Feature, Mar. 24, 2011
Ballet Austin's first brush with Bournonville showed his style suiting the dancers
Reviewed by Arts Review, Feb. 17, 2011
A celebration of Indian classical dance that was unfailingly interesting
Reviewed by Arts Review, Feb. 10, 2011
Recalling the times in 2010 when contemporary dance and ballet showed a pulse
Arts Feature, Jan. 6, 2011