The Cataract

A befuddling, humorous, and serene journey into the unexpected with two very different couples

Wouldn't it be amazing if ...?: <i>The Cataract</i>'s Abe Koogler, Erin Barlow, Jesse Bertron, and Katie Bender
"Wouldn't it be amazing if ...?": The Cataract's Abe Koogler, Erin Barlow, Jesse Bertron, and Katie Bender (Photo courtesy of Lawrence Peart)

The Cataract

B. Iden Payne Theatre, 200 E. 23rd, 471-5793
Through Oct. 28
Running time: 1 hr., 50 min.

Had playwright Lisa D'Amour set The Cataract in Paris, her characters might have sighed at each day's end, "Métro, boulot, dodo." Had they lived in New York, they might have complained about the daily grind. But they're in Minneapolis as the sun sets on the 19th century, and the preferred turn of phrase is, "We are all very tired. This is a difficult life." For Cyrus and Lottie Finch (Abe Koogler and Erin Barlow), there are rules and expectations in the town at the Mississippi River headwaters, in a state where "people sleep at night and work during the day."

That is, until Dan and Dinah (Jesse Bertron and Katie Bender) show up on their homestead, newly arrived from Meridian, Miss., and seeking a place to stay. "Wouldn't it be amazing," asks Dinah, once she and her hardworking lover are settled in, "if something unexpected happened?" What if flowers popped up from the floorboards or Dan grew fur on his hands? As they amble through their boarders' rigid mores, the newcomers seem not to notice that they are the unexpected, mysterious happening.

We've heard this story before: Character A lives in peace until Character B suddenly arrives and changes everything. But here it turns out the audience is as unsuspecting as the poor saps onstage. Sure, The Cataract has unity of time and place, but wait – does it? A befuddling and humorous and serene experience, somewhere between dream world and waking life, it sabotages our expectations, leading us ever so poetically into mysteries upon mysteries.

The University of Texas Department of Theatre & Dance production has been thoughtfully, purposefully crafted – words, action, and design coalesce into something complete. Director Will (formerly Daria) Davis sculpts a stylized world that gently cradles the script's complexity. With the director's keen eye and the cast's fine performances, we empathize with the foursome at their most naturalistic – the women giggling as they share secrets, the men guffawing over beers at the saloon – and feel far away indeed in their strangeness – narrating their days, staring out the fourth wall, pulling flowers out of their eyes.

The show's designers have created a stunning environment for the curiosities of script and staging. Though mold in the cozy Brockett Theatre pushed the production into the Payne's cold proscenium, set designer William Anderson creates intimacy with a gorgeous sloped platform surrounded by sand. Lighting designer Ryan Andrus' dramatic spotlights and scrumptious projections mesh with costume designer Kaitlyn Aylward's robust garb and Anderson's innovative use of planks and stools to create different spaces and times.

Stepping out of The Cataract's magical world, I felt a little more beautiful and a little more pensive. I'm searching for the unexpected in my daily grind.

More The Cataract
From Nothing to Bounty
From Nothing to Bounty
Playwright Lisa D'Amour muses on the distance between Austin and 'Detroit'

Adrienne Martini, Oct. 19, 2012

More Arts Reviews
American Berserk Theatre's <i>For Time & Eternity</i>
American Berserk Theatre's For Time & Eternity
This original historical drama looks at a crisis of faith in early Mormonism honestly

T. Lynn Mikeska, April 21, 2017

<i>American War</i> by Omar El Akkad
American War by Omar El Akkad
This dystopian novel of a late 21st century America split by civil war shows how vengeance survives down the generations

Jay Trachtenberg, April 21, 2017

More by Jillian Owens
One Night With Janis Joplin
Zach makes this soulful portrait of the blues-rock queen an exhilarating concert that'll have you on your feet

Aug. 2, 2013

Little Shop of Horrors
This year's Zilker Summer Musical swaps the Swiss Alps for Skid Row, but it's as hugely entertaining as ever

July 26, 2013


The Cataract, Lisa D'Amour, University of Texas Department of Theatre & Dance, Will Davis, Daria Davis, Abe Koogler, Erin Barlow, Jesse Bertron, Katie Bender, William Anderson, Ryan Andrus, Kaitlyn Aylward

AC Daily, Events and Promotions, Luvdoc Answers

Breaking news, recommended events, and more

Official Chronicle events, promotions, and giveaways

Updates for SXSW 2017

All questions answered (satisfaction not guaranteed)